Over the past two years, the Digital Library Systems and Services department at SUL has developed a user-centered approach to building websites. Our methodology involves early and iterative feedback from the primary audience of SUL’s web resources – academic researchers. The intended result is web applications that help users achieve their research goals while at the same time increasing the efficiency of the software development process (thus, lowering the time to development and the cost).
During the last two months of 2012, approximately 120,000 images and objects representing nearly 74,000 items were accessioned into the Stanford Digital Repository (SDR). These materials include automobile-related images from the Revs collection, audio recordings from San Francisco's Film Arts Foundation, posters from the STOP AIDS Project collection, additional books from the Stephen J Gould collection and a variety of Stanford-related historical images, including photos from the Stanford Prison Experiment.
This is the second blog post from Stanford Media Preservation Lab in our series documenting our progress as we refurbish our ½” reel-to-reel videotape machine. When we left off, we had given our Sony AV-3650 a good cleaning and re-lubricated most of the mechanical workings of the tape transport.
The goal for these next sessions was to remove the old jacks from the machine’s connector panel and replace them with modern jacks that wouldn’t require adapters and could be used with our newer equipment in the video lab. Although the connectors were still functional, they were old and worn from use.
Although much of our time at SMPL is spent digitizing and working with library collections, part of our work involves seeking out legacy equipment that can be refurbished and installed in our labs for use in our reformatting work. In 2011, we were fortunate to find a working ½” EIAJ reel-to-reel videotape machine for sale. Knowing that it would need some work before it could be used, it lay tucked away until we received funding late last year to overhaul the machine and get it working in our lab. This is the first in a series of blog posts documenting our progress as we complete work on the restoration of our Sony AV-3650.
Did you read the news a few months ago about the Riverwalk Jazz archive coming to Stanford? Now the collection of radio shows is available online, featuring two channels of continuous audio streams: http://riverwalkjazz.stanford.edu/.
As fans of the long-running public radio program know, Riverwalk Jazz tells the story of early jazz and blues as it evolved in the first half of the 20th century. Using rich narrative, oral histories and interviews, clips of historic musical recordings, and live musical performances by the Jim Cullum Jazz Band, each radio show entertains and educates its listeners, promoting classic jazz music and an appreciation for its place in history. With this new web site, the series of programs is presented by the Stanford Archive of Recorded Sound as an incomparable research collection for use by jazz scholars and fans alike.
In October, approximately 22,000, images representing nearly 20,000 items were accessioned into the Stanford Digital Repository (SDR). These materials include ~ 17,000 automobile-related images from the Revs collection, 130 additional books from the Stephen J Gould collection, Beethoven scores from the Memorial Library of Music and early twentieth century photographs of YWCA in China from the East Asia Library.
From the humble beginnings of a single flatbed scanner in 1996 when Stanford Library first began producing digital files, the digitization program 16 years later now is home to 8 different labs. These labs support the digitization of books, photos, manuscripts, video, audio, and born digital materials.
Just in case anyone missed the tours given at the Library Open House, this short video takes the viewer on a quick tour through these different lab spaces with a brief overview of the different types of materials and workflows. Later segments will explore each lab in greater detail and discuss how physical handling challenges, the needs of each type of material, and desired end product all play a role in producing a digital file.
For more information: http://library.stanford.edu/projects/digitization-services
Listen to Julie Sweetkind-Singer talk about the Branner Earth Sciences Library, her passion for maps and the 'California as an Island' collection on KZSU’s Peninsula Report.