From the humble beginnings of a single flatbed scanner in 1996 when Stanford Library first began producing digital files, the digitization program 16 years later now is home to 8 different labs. These labs support the digitization of books, photos, manuscripts, video, audio, and born digital materials.
Digital Library Blog
We have an ambitious set of goals for continuing to improve and enrich the library website in October. These priorities are based on our original project goals and on feedback and suggestions gathered from patrons and staff. Please continue to send us your feedback and encourage others to do so as well.
Our goals for October 2012 are to:
September was a busy month for the library website team. We officially launched the new site on August 28, and have been steadily adding content, features, and functionality since them. Below is a summary of the Library website work accomplished in September.
Patron-facing changes and enhancements:
Digital Production Group takes great pride and pleasure in our role supporting the Library's many beautiful and informative exhibitions. The current exhibition is just that, displaying an array of startlingly colorful and detailed medieval manuscripts from the University's collection.
Please read more below, cross-posted from Special Collections. See also the recent article in the Stanford University News, Medieval exhibition spotlights Stanford Libraries' manuscript collection.
Scripting the Sacred: Medieval Latin Manuscripts
Scripting the Sacred, part one of a two-part exhibition of Western European manuscripts and fragments, showcases the medieval experience of reading. The exhibition will open Monday, September 17, in the Peterson Gallery and Munger Rotunda of Green Library, and continue through January 6, 2013.
Studying these texts involved not only the absorption of knowledge, but also practices of interpretation, identification, and devotion. By focusing on the exercise of reading, this exhibition explores "scripting" in diverse forms: scribal activity, scripted performances, and inscribed divine things (res divinae).
Throughout the Middle Ages, the Bible remained the paradigmatic text for reading and studying. The exhibited biblical items highlight different preferences pertaining to legibility. Indeed, scribes designed manuscripts to guide, assist, and sometimes challenge readers, as medieval versions of biblical commentary and patristic works exemplify. The liturgical genres on display contain written and visual markers that instruct readers in the proper performance of the Mass, music, and specific feast days. The text portion of the liturgy helped stage the clergy's ceremonial duties. Liturgical fragments with musical notation assisted ritual actors in the memorization of stylized speech. Both components show how customized manuscripts promoted reading aloud. Miniature prayer books and books of hours demonstrate a late medieval trend toward privatized and personalized lay devotion.
Cathy Aster, Michael Olson and Sarah Sussman (SUL Curator of French and Italian) were invited by ATS colleague Nicole Coleman to a Stanford Digital Humanities & Design workshop, "Early Modern Times & Networks" where they presented a summary of the Bassi-Veratti project on 24 August 2012. They led a discussion focused on the Encoded Archival Description (EAD) XML encoding of the finding aid to facilitate discovery of digitized content i