An update on Stanford's Cabrinety Software Preservation grant was recently presented to the Digital Library Federation conference in Austin, Texas. Highlights from the first year of this two year project include the successful forensic imaging and digital photography of almost 900 software titles representing over 116,000 unique files. The slides from the presentation are now available via slideshare at http://www.slideshare.net/molsontravel/dlf-snapshot2013draftcombined.
Forging collaborative partnerships with like-minded institutions can often yield unexpected and gratifying results. Stanford’s work with NIST (National Institute of Standards and Technology) on the Cabrinety Project is entering its second year, and recently one member of the NIST team discovered an important solution to a complex problem – how to extract forensically viable data from game cartridges. Christopher Fox, an intern at NIST, shares his discoveries in "How to Give Cartridge-Based Video Game Data an Extra Life," a guest post on the October 24, 2013 edition of Stanford's How They Got Game blog.
Some of the items most recently deposited to the Stanford Digital Repository (SDR) include thousands of images that are nothing short of, well, ordinary. For instance, in the Names 100 Dataset, you can download a folder containing 80,000 small images depicting the faces of ordinary people. In another case, there are millions of snapshots of San Francisco street scenes and buildings. Each image is notable for its lack of distinction. It’s as if anyone could have captured these images using their smartphone. And that is precisely the point.
In September, approximately 157,000, files representing nearly 400 items were accessioned into the Stanford Digital Repository (SDR). These materials include -- but are not limited to -- items from the Jarndyce Collection, Stanford historical photographs, and the Tanenbaum Collection.
We were recently approached by Blair Hedges, a professor of Biology at Pennsylvania State University, who requested high resolution files for over 200 maps depicting the Caribbean that were part of the Barry L Ruderman Collection for his Caribmap website. "Caribmap is a mobile-friendly resource for exploring historical map images of Caribbean islands. The site has evolved since 1999 and now presents images of approximately 1800 maps of the islands printed over five centuries (16th–20th). This is still a small sampling of the thousands of different maps that were printed." The site includes links to resources and a bibliography.
You can see the Stanford-contributed maps here, and visit caribmap.org to view other maps of the Caribbean; you can also look at the Barry L. Ruderman Collection in more detail and browse for other maps from that collection.
We are pleased to have the maps featured on caribmap.org! Many thanks to the staff at Branner and DLSS, especially Deardra Fuzzell, Bess Sadler and Cathy Aster for their efforts in being able to use systematic methods to provide high resolution images to caribmap.org.
What do you get when you combine 14 library staff, the John A. Blume Center for Earthquake Engineering Technical Reports, the SDR self-deposit interface, and pizza? A Deposit-a-thon, of course!
A lot of valuable research done on Stanford's campus is published as part of technical reports, and as valued research output there is no better place to preserve these -- and make them easily accessible to the world -- than through the Stanford Digital Repository.
In August, approximately 68,000, files representing nearly 600 items were accessioned into the Stanford Digital Repository (SDR). These materials include -- but are not limited to -- items from the correspondence from Athanasius Kircher, Stanford historical photographs, and the journal of the Gorilla Foundation.
The Stanford Media Preservation Lab (SMPL) has many partnerships on campus and the recent move provided a great opportunity to spend some time working in the audio room of one of those partners, the Archive of Recorded Sound (ARS). Several recordings were digitized and documented while there. Two projects completed of interest are the digitization of several recordings made by the a cappella group the Stanford Mendicants and the transfer of cassette tapes from the book and audio set: Photochemistry of Organic Molecules (POM) held by the Media & Microtext Center.