About this series
As part of the opening events for The David Rumsey Map Center at Stanford's Green Library I recently gave a talk about the various ways you can "hack" the David Rumsey Map Collection. I showed how you can make use of the David Rumsey Map Collection using a variety of Stanford University Library resources and services.
Over the next few weeks I will post a series of brief step-by-step "how-to" tutorials on making use of digital resources from the David Rumsey Map Center and Collection. For the most part, I will be highlighting the resources I presented in my talk.
Inquiry from a hot zone
In late March of 2016, Frederic Ham, a geospatial analyst for Medecins Sans Frontieres (MSF, also know as Doctors Without Borders) contacted Stanford University Libraries (SUL) looking for information. He needed data to help him create maps so that MSF could better plan their response to a current cholera outbreak in Zambia. He’d found what he wanted via SUL’s geospatial data portal, Earthworks, but wasn’t able to access it due to licensing restrictions. Was there any way we could help?
Rare Music Materials at Stanford is a Spotlight instance that presents materials from the Stanford University Libraries' collections that have been digitized in response to research requests, or were produced for small projects. Items and their downloadable images may also be found in SearchWorks, Stanford's library catalog.
Overture zum 3. Akt, Die Zauberharfe, original manuscript by Franz Schubert (1797-1828); libretto by Georg von Hofmann.
Memorial Library of Music, MLM 948
[download images of this work]
Guest blogger: Benjamin Ory
Die Zauberharfe, or “The Magic Harp,” was a melodrama premiered on August 19, 1820 at the Theater an der Wien in Vienna. The original cast included Ferdinand Schimon (Palmerin, tenor), Karl Erdmann Rüger (Arnulf), Josefa Gottdank (Melinda), Frl. Botta (Ida), and Nikolaus Heurteur (Folko). There were seven repeat performances through October 12, before the work was subsequently withdrawn from the repertory. The majority of Hofmann’s text and some of the musical numbers were lost, and thus, no further staged performances were able to occur. The manuscript of the Act III Overture now resides in Stanford’s Memorial Library of Music.
In keeping with shallow tradition, it's taken me a few weeks to collect my thoughts on the recently-concluded IIPC General Assembly and Web Archiving Conference, hosted this year by the National and University Library of Iceland. In the wake of last year's meeting, I speculated on what developments in web archiving we might together effect in the year ahead (now behind). Nearly a year later, that conceit provides a convenient jumping-off point for reflecting on how it all went, where we might go from here, and the tremendous amount of work to do in our one remaining collective month before the anniversary of that post. :)
This year, Stanford Classics turns 125, and to celebrate, we have put together an exhibit examining its early history. While small and undistinguished early on, the department quickly produced scholars of distinction. Today it is a major center of American classics, and a world leader in the study of ancient Greece and Rome. Still, the century and a quarter that intervenes between us and its foundation is often a sort of ever-advancing black box—that is, we seldom have an institutional memory that extends any further back than the recollection of the faculty's most senior member. Earlier outlines of the department's history are therefore simply lost. This exhibit hopes to shed some light on that earlier place and time.
Hats off to Stanford’s own Andrew Luck for promoting the love of reading. Mr. Luck has started a book club via social media. He plans to introduce a book he enjoyed as a child for younger readers, as well as a book for more seasoned readers. According to his web site he’ll introduce a new book in stages that correspond with the NFL schedule: off-season, mini-camp, summer training and pre-season. He plans to bring in guest athletes to take over until after the Super Bowl. Participants may follow along on Facebook, Instagram and/or Twitter using #ALBookClub. More information about the book club may be found on his website.