Stanford University Libraries is the grateful recipient of a very generous donation of some 700 individual leaves from early printed books, the gift of Donn Faber Downing and Letitia Leigh Sanders. The vast majority of these leaves are from books from the 15th and 16th centuries and serve not only as examples of which texts were being printed with this “new” technology (Gutenberg’s Bible was printed about 1455, the first book printed in the western world with moveable type) but also how these texts were presented: their typefaces, page layout, and format. It is a remarkable, rich collection, and will be used in a wide variety of classes.
I am pleased to announce that all of the accessions in the Carolyn Caddes Papers (M0658) are now described and available for research. For several years, only one accession was described online but thanks to Monika Lehman, our Public Services Intern, the rest of the accessions are open now for research.
Monika describes her experience processing this incredibly rich collection:
I had the opportunity to process Carolyn Caddes' papers. Carolyn is a portrait photographer who is most known for her collection of portraits published in a book entitled Portraits of Success: Impressions of Silicon Valley Pioneers (1986). Caddes spent years interviewing, photographing and researching the major players in Silicon Valley who worked in the technology sector, venture capitalism and government.
This project is a spin-off from the ongoing GAMECIP (Game Metadata and Citation Project) funded by the Institute for Museum and Library Services (IMLS). We are planning to spin off and expand our work on controlled platform vocabularies with additional research and photography, then publish a definitive terminology and ontology for computer game platforms in a manner that will be useful for libraries, museums, collectors and scholars. We are beginning with the most used set as an initial set.
The two core components of the project are (1) review and photography of hardware in Stanford’s Stephen M. Cabrinety Collection in the History of Microcomputing, in order to complete our assessment and provide visual aids in the published terminology guide; and (2) collation, editing and design of platform and media description sheets that will be made available online and, eventually, be available for publication in a print format.
The Stanford University Archives is pleased to announce a one-week exhibit of materials relating to John Casper Branner and the Branner Library. This exhibit will be on display at Branner Earth Sciences Library from June 5-12.
Items on display include photographs and other materials relating to Branner’s inauguration; photographs of Branner and family, including some taken on the Stanford campus with Thomas Edison; and materials documenting the founding of Branner Library.
This exhibit is part of the anniversary celebration commemorating the 100th year since the founding of the Branner Earth Sciences Library & Map Collections (June 14, 1915 - June 14, 2015). It is part of an ongoing series of anniversary events that culminates with a public celebration, speakers, and tour of the library on Thursday, June 11, 2015 from 4-6:30 pm.
For more information about John Casper Branner, or about any of the collection materials included in this exhibit, please contact the University Archives at firstname.lastname@example.org.
Please join us in welcoming Michelle Paquette who started May 18th as our new manuscripts cataloging and metadata librarian. This fills a position vacated over a year ago when the former cataloger retired. While Michelle will be joining the Special Collection team at Stanford’s Redwood City campus, she won’t be a stranger to campus because part of her responsibilities will be managing metadata for our many digitization projects in collaboration with staff from the Metadata Department and DLSS, as well as curators and subject specialists.
Michelle received her Master of Science in Library Science degree from Simmons College and her Bachelor of Arts in English, summa cum laude, from the University of Massachusetts, Amherst. She was a metadata resident at Amherst College’s Frost Library where, in addition to her cataloging work, she planned and oversaw data migration projects working with MODS, Dublin Core, Darwin Core, XSLT, EAD and VRA Core. As a consultant for the Frost Library over the past year, Michelle developed a data model and metadata element set for the “Timeline of LGBT Political Landmarks in the Americas.”
The Stanford University Archives is very glad to announce a one-week exhibit of materials relating to John Casper Branner, the first Professor of Geology at Stanford University, and its second President. This exhibit will be on display at Branner Earth Sciences Library from April 10-17.
Have you ever wondered why Stanford is represented by the color cardinal, and not the original choice of gold? Or why the university's motto is in German?
The University Archives, in collaboration with Kathleen Smith, Curator of Germanic Collections and Medieval Studies, is pleased to announce a new exhibition focused on the development of Stanford's insignia. Becoming Stanford: The History and Meaning of the University’s Insignia is now on display in the South Lobby of Green Library.
As previously announced, the Ruth Asawa papers are now available. In thinking of fun and innovative ways to present certain aspects of her work, we decided to scan a small series of San Francisco architecture snapshots from her collection and upload them to the social mapping website Historypin, and also include them in their Year of the Bay local history project. These photographs were probably used as research in creating the San Francisco Fountain in Union Square, which features many cast dough relief images of the city. Unfortunately there is no information on or about the prints in the collection. They are likely all from the 1960s, and were probably taken by Asawa (she has referred to taking pictures of the city in preparation). Architectural historian Sally Woodbridge may have also contributed. The varying qualities of the prints implies that several cameras or developers were used, and that they were probably taken over a period of time. At any rate, they collectively serve as a remarkable portrait of the city in that decade.