Special Collections Unbound

GAMECIP spin off project this summer: hardware platforms

June 9, 2015
by Glynn Edwards

This project is a spin-off from the ongoing GAMECIP (Game Metadata and Citation Project) funded by the Institute for Museum and Library Services (IMLS).  We are planning to spin off and expand our work on controlled platform vocabularies with additional research and photography, then publish a definitive terminology and ontology for computer game platforms in a manner that will be useful for libraries, museums, collectors and scholars. We are beginning with the most used set as an initial set.

The two core components of the project are (1) review and photography of hardware in Stanford’s Stephen M. Cabrinety Collection in the History of Microcomputing, in order to complete our assessment and provide visual aids in the published terminology guide; and (2) collation, editing and design of platform and media description sheets that will be made available online and, eventually, be available for publication in a print format.  

Branner Geological Library bookplate

Branner @ 100: The Man and the Library

June 5, 2015
by Daniel Hartwig

The Stanford University Archives is pleased to announce a one-week exhibit of materials relating to John Casper Branner and the Branner Library. This exhibit will be on display at Branner Earth Sciences Library from June 5-12.

Items on display include photographs and other materials relating to Branner’s inauguration; photographs of Branner and family, including some taken on the Stanford campus with Thomas Edison; and materials documenting the founding of Branner Library.

Welcome to New Manuscripts Cataloging & Metadata Librarian

May 22, 2015
by Glynn Edwards

Please join us in welcoming Michelle Paquette who started May 18th as our new manuscripts cataloging and metadata librarian. This fills a position vacated over a year ago when the former cataloger retired. While Michelle will be joining the Special Collection team at Stanford’s Redwood City campus, she won’t be a stranger to campus because part of her responsibilities will be managing metadata for our many digitization projects in collaboration with staff from the Metadata Department and DLSS, as well as curators and subject specialists.

Michelle received her Master of Science in Library Science degree from Simmons College and her Bachelor of Arts in English, summa cum laude, from the University of Massachusetts, Amherst.  She was a metadata resident at Amherst College’s Frost Library where, in addition to her cataloging work, she planned and oversaw data migration projects working with MODS, Dublin Core, Darwin Core, XSLT, EAD and VRA Core. As a consultant for the Frost Library over the past year, Michelle developed a data model and metadata element set for the “Timeline of LGBT Political Landmarks in the Americas.” 

Becoming Stanford: The History and Meaning of the University’s Insignia

April 2, 2015
by Josh Schneider

Have you ever wondered why Stanford is represented by the color cardinal, and not the original choice of gold? Or why the university's motto is in German?

The University Archives, in collaboration with Kathleen Smith, Curator of Germanic Collections and Medieval Studies, is pleased to announce a new exhibition focused on the development of Stanford's insignia. Becoming Stanford: The History and Meaning of the University’s Insignia is now on display in the South Lobby of Green Library.

San Francisco Fountain detail by Joe Thompson

Asawa Photos of San Francisco on Historypin

April 2, 2015
by Franz Kunst

As previously announced, the Ruth Asawa papers are now available. In thinking of fun and innovative ways to present certain aspects of her work, we decided to scan a small series of San Francisco architecture snapshots from her collection and upload them to the social mapping website Historypin, and also include them in their Year of the Bay local history project.  These photographs were probably used as research in creating the San Francisco Fountain in Union Square, which features many cast dough relief images of the city. Unfortunately there is no information on or about the prints in the collection. They are likely all from the 1960s, and were probably taken by Asawa (she has referred to taking pictures of the city in preparation). Architectural historian Sally Woodbridge may have also contributed. The varying qualities of the prints implies that several cameras or developers were used, and that they were probably taken over a period of time. At any rate, they collectively serve as a remarkable portrait of the city in that decade.

R. Stuart Hummel family papers, Chinese door god prints.

Departure of Joe Geller from Manuscripts

March 22, 2015
by Glynn Edwards

It is with sadness that I announce the departure of our lead processing archivist, Joe Geller, who is relocating to the east coast. He will be greatly missed by all our staff on the Redwood City campus and throughout the library.

Joe started at SUL in 2006 as a curatorial assistant for Annette Keogh, the former curator for British and American Literature. During these years, I was fortunate to work with Joe as he processed several literature collections, notably:  Irving Rosenthal papers, Rae Armantrout papers, and Edward Dahlberg papers.

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