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Shelves of books at Chemistry & Chemical Engineering Library

In late December, we surveyed Stanford faculty in the Schools of Humanities & Sciences, Engineering, Education, and Earth Sciences about the “many kinds of resources that might be important to your research”. We are still working on a full analysis of all the data generated by the survey, but wanted to go ahead and start sharing some initial results.

The first set of questions asked faculty “How important are the following types of scholarly materials for your research?”, following by a list of various types of resources. Response choices were: Very Important, Important, Somewhat Important, Not Important. Below are some general results from those questions, broken down by Humanities & Arts faculty, Social Sciences faculty (including Graduate School of Education), and Science & Engineering faculty (including School of Earth Sciences).

  • 90% of faculty say Print Books are Important or Very Important to their research. Faculty in the Humanities and Arts are most enamored of Print Books, with 96% rating them as Important or Very Important. Large majorities of Social Scientists (90%) and Science & Engineering (79%) faculty also rate Print Books as Important or Very Important.
  • E-Books are also Important or Very Important to a majority of faculty in all disciplines: 75% in Humanities & Arts, 65% in Social Sciences, 68% in Science & Engineering. 
  • Nearly all faculty (over 94% across all disciplines) say E-Journals are Important or Very Important; but Print Journals are Important or Very Important primarly to those in Humanities and the Arts (76%). Only 36% of Science and Engineering faculty, and only 28% of Social Sciences faculty rate Print Journals as Important or Very Important.
  • Textual Data are important to many Humanities (44%) and Social Science (38%) faculty, but much less so to Science & Engineering faculty (9%). Maps and Geospatial data are important to 25% of faculty overall, with slightly more interest from Social Scientists than from Humanists or Science & Engineering faculty.
  • For all the other kinds of resources we asked about, the differences between disciplines are large and not particularly surprising. Numeric data is important to more Social Science (62%) and Science & Engineering faculty (55%) than Humanities faculty (19%). Archival materials, non-English language materials, reference works, images, film, video and audio are all important to much larger percentages of Humanists than to Social Scientists and Science & Engineering faculty.
  • Response rates: Our overall response rate was 17%, with Humanities & Arts faculty twice as likely (N=68, 29%) as Social Sciences (N=32, 15%) or Science & Engineering faculty (N=57, 13%) to respond. A total of 157 faculty members took the time to respond, and we are very grateful to them.

We also asked several open-ended questions about how faculty accessed resources and what might improve their access to resources that are important to them. We asked similar questions about a variety of tools (e.g. the library website, SearchWorks, bibliographic management software), and expertise (e.g. subject librarians, data specialists). We will post results from those questions soon, as we continue to work on a full analysis of the data. 

The opening phrase of the fifth symphony, in Beethoven's hand

"The Beethoven Project is a large-scale celebration acknowledging Bing Concert Hall as the new home of the Stanford Symphony Orchestra and Stanford Philharmonia Orchestra. These ensembles, under the baton of Jindong Cai, will devote the season to the performance of all nine Beethoven symphonies, as well as all five of the composer’s piano concerti featuring Van Cliburn Gold Medal–winning pianist and Stanford alumnus Jon Nakamatsu.

Richard Blanco—son of Cuban immigrants and civil engineer—will be the poet at the second inauguration of President Barack Obama on January 21. Blanco joins the list of inaugural poets that includes such names as Robert Frost and Maya Angelou.

There are three titles of Richard Blanco's poetry available in the libraries:

City of a Hundred Fires

Directions to the Beach of the Dead

Looking for the Gulf Motel

 

 

Happy Holidays!

Did you know that all seven streaming audio databases offer selections of Christmas music that you can stream to your home or work computer, or your smartphone?  Just search “Christmas” in each database to start browsing.

Access is restricted to Stanford users.

See this page about connecting from off-campus and this page about streaming to your mobile device.

 

Some suggestions:

American Song

Elvis Presley, Blue Christmas

Blues, Blues Christmas

Classical Music Library

A Piano Christmas in the 1920s

Christmas With the University of Texas at Austin Trombone Choir

Contemporary World Music

Celtic Christmas Songs

Rituals and Celebrations of the World

DRAM

Christmas in Vermont

Gordon Green, Impossible Christmas

Jazz Music Library

Playboy’s Latin Jazz Christmas : a Not So Silent Night

Prestige : the Christmas Collection

Smithsonian Global Sound

Christmas in Portugal

A Russian Christmas

Naxos Music Library

A Very Merry Christmas

A Steinway Christmas Album

Naxos Jazz

Vince Guaraldi Trio, A Charlie Brown Christmas

Anita Baker, Christmas Fantasy

 

The Library of Congress has made available a set of audio interviews that retired music executive Joe Smith conducted with more than 200 singers and musicians.

You can listen to Smith's interviews with Tony Bennett, Burt Bacharach, Ray Charles, George Harrison, Mick Jagger, Paul McCartney, and Dave Brubeck (who died today at age 91), to name just a few.

From the Library of Congress' web page about the Joe Smith Collection at the Library of Congress:

More than 25 years ago, retired music executive Joe Smith accomplished a Herculean feat—he got more than 200 celebrated singers, musicians and industry icons to talk about their lives, music, experiences and contemporaries. In 2012 Smith donated this treasure trove of unedited sound recordings to the nation’s library.

The Joe Smith Collection contains over 225 recordings of noted artists and executives and is a veritable who’s who in the music industry. They include Artie Shaw, Woody Herman, Ray Charles, Barbra Streisand, Little Richard, Bob Dylan, Paul McCartney, George Harrison, Elton John, Paul Simon, David Bowie, Billy Joel, Sting, Tony Bennett, Joan Baez, James Taylor, Dick Clark, Tina Turner, Tom Jones, B.B. King, Quincy Jones, David Geffen, Mickey Hart, Harry Belafonte and many others. All types of popular music are represented—from rock ‘n’ roll, jazz, rhythm & blues and pop to big-band, heavy metal, folk and country-western.

 

Music Library media study room

The Music Library media study room is now open. The room contains a study table and seating for up to five people. Audiovisual equipment includes a color video monitor and components to play all-region DVD, Blu-Ray, VHS, LaserDisc, LP, and CD formats. Connector cables will soon be available to allow projection from PC and Mac laptops.

 

Use guidelines:

  • Available on a first-come basis; keys not required
  • Priority use goes to patrons needing the playback equipment
  • Groups of two or more take priority over single-person use
  • Please observe a two-hour limit when others are waiting
  • Food and drinks are not allowed

The room may be reserved in advance; please contact Ray Heigemeir to make arrangements. We do not yet have an automated reservation system; this may be developed in response to demand.

Marilyn Yalom, author of How the French Invented Love: Nine Hundred Years of Passion and Romance, speaks this afternoon at the Stanford Humanities Center. Hear Yalom discuss her readings of French literary works and the memories of her experiences in France, which she uses in her book to illuminate the central tenets of France's gospel of love.

This event is free and open to all and a small reception and book signing will follow the talk.

You can read a review of How the French Invented Love here.

Check SearchWorks for titles by Marilyn Yalom available in the libraries.

Thursday, November 15, 2012. 4:15 PM.
Levinthal Hall, Stanford Humanities Center
424 Santa Teresa Street

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