Stanford Archive of Recorded Sound just received its latest shipment of important material for the processing of the Player Piano Project: new boxes. To provide the best security and archival conditions (like temperature control!) for our piano rolls, they will be stored at SAL3, a high-density preservation facility in Livermore, California. Patrons interested in researching particular rolls will still have access, simply contact the Archive of Recorded Sound and we will request the rolls be shipped here for you to use.
Welcome to Stanford and the School of Engineering. As you prepare to start your studies, the Engineering library has pulled together some helpful tips for getting started with doing research at Stanford.
The Terman Engineering Library has three Engineering Subject Specialists to answer your questions and help you get what you need for your projects and research. Please feel free to reach out to us.
The Archive of Recorded Sound (ARS) has recently begun cataloging Irish folk music recordings donated by the family of Thomas Quilter. The collection features items representing a significant span of Irish and Irish-American music from the 1910s to the 1980s and a progression in performance practices leading up to and including the revival of Irish traditional folk music.
- CRC Handbook of Chemistry and Physics, 96th edition is available
- Electrochemical Society Publications - Open Access Fee Waived for 2015
- lynda.com - Online Video Training Library
- American Society of Microbiology ebooks - Trial Access
- Synthetic Reactions Updates
- Pharmaceutical Substances version 3.8 released
- RSC Historical Collection
- Featured Books on the Chemistry of Fireworks
During June and July, the Terman Engineering Library will continue to reduce the number of items on the shelves in the library in order to add additional student study space. This project will include the transfer of approximately 4500 books to SAL3 and the removal of four ranges of shelving, a 40% reduction in shelving capacity. After the move of collections, the library will have approximately 7000 items on the remaining four stack ranges. The newly available floor space will allow for six new study tables and four new individual study carrels, a total of 28 additional seats, representing a 30% increase in seating capacity at the library. Mike Nack, project lead, has prepared a summary document. The library will be open during the move of materials, although during the dismantling of the stacks currently scheduled for the second week of July, students may want to find a quieter location to study.
In November 2014, I posted a blog detailing a very small roll (4.5" wide) that staff at the Archive of Recorded Sound had uncovered among the reproducing piano rolls in the Denis Condon Collection of Reproducing Pianos and Rolls. It was discovered that the roll was designed to be used with a toy, a type of player saxophone called the Playasax, produced by Q.R.S. I am very pleased to announce that the Archive, just yesterday, acquired an actual Playasax along with four additional rolls, thanks to a generous donation by Kristine Sturgill. This donation will make up the Otto M. Slater Playasax Collection, named in honor of Mrs Sturgill's father, who passed away earlier this year.
The National Geospatial Advisory Committee (NGAC) met in Washington, DC on June 9-10, 2015. The full report of the meeting including the powerpoints from the subcommittees and lightning sessions are available on the NGAC Website. The NGAC is a Federal Advisory Committee that reports to the Federal Geographic Data Committee (FGDC). Our role is to provide advice and recommendations related to the national geospatial program and the development of the National Spatial Data Infrastructure.
A recent score arrival highlights an interesting musical connection between Stanford and Fisk Universities. Salute, a fanfare for four b-flat trumpets and optional percussion by the American composer Walter Piston (1894-1976), was written for the Thirteenth Festival of Music and Fine Art at Fisk University in Nashville, held in 1942. The piece was commissioned by Harold C. Schmidt, Director of Choirs and Chair of the Music Department.