Over on the Library of Congress Digitial Preservation blog, the Artifact Atlas, our crowdsourced effort to document audio-video related artifacts experienced during digitization, was given a flattering profile. In this interview with Hannah Frost, Digital Library Services Manager here at Stanford, and Jenny Brice, Preservation Coordinator at the Bay Area Video Coalition, we learn about the origin of the resource, its governance, its role in the Quality Control Tools for Video Preservation project, and new developments. Check it out!
During the fall of 2013, Stanford University Libraries (SUL) convened a working group to investigate the current state of access to audio and moving image materials held within its various collections, notably rare materials within its different special collections departments, along with those held at the Hoover Institution Library and Archives.
Following many weeks of investigation, the Media Access Working Group (MAWG) produced a report in December 2013 outlining its findings, along with various recommendations to help tackle the issues discovered. The group considered issues relating to use cases, copyright status, available technologies - including media streaming, and content usage.
Just after the earlier article announcing the opening of this collection came out, a photograph album in the collection was digitized. It contains eighty fading silver gelatin prints which include images of Naval training in Guantanamo Bay and other images in and around Havana, Cuba.
Recently a film director from the BBC visited the Stanford Libraries while seeking content for a documentary on the noted cetacean researcher and activist John C. Lilly (1915-2001).
Stanford University Library's (SUL) collaboration with the California Audiovisual Preservation Project (CAVPP) has yielded two more preserved objects on the Internet Archive:
The Stanford Media Preservation Lab (SMPL) has completed installation of audio and video digitization equipment in its new facilities at 425 Broadway in Redwood City, and has resumed all services. We're 100% back to work, supporting researcher access to SUL's world-class collections of sound recordings and moving images.
During the week of November 4th, Julie Sweetkind-Singer hosted the California Rare Book School (http://www.calrbs.org/) with several sessions held at Stanford University Libraries. The CalRBS is an ongoing program founded by UCLA that educates students interested in the field of rare books. This specific course was designed to provide a general overview of the history of maps in the western world, as well as their use in modern-day teaching and research.
The Archive of Recorded Sound recently held its first ever listening party on October 17th. We were thrilled to welcome over 40 attendees to the event here at the Archive, who were invited to flick through multiple boxes of duplicate 78rpm records, dating from approximately 1900-1940, to select those they would like to hear played on our 1925 Victrola Credenza, just one example from our magnificent phonograph collection here at the Archive which dates from 1904-1930. More details about this collection, including images and demonstration videos, are now available on our website.