The Stanford Media Preservation Lab has recently finished reformatting the 440 audiocassettes in the Fred Ross papers, an immense body of audio documenting the training meetings held by labor organizer Fred Ross Sr. Housed in Special Collections, the digitized audio focuses extensively on house meetings in the 1970s and 80s, an organizing technique Ross developed and taught. A small portion of the tapes include Cesar Chavez, who Ross hired and trained in the early 50s. Chavez later went on to form the National Farm Workers Association, but Ross always remained a mentor and strong influence. "As time went on, Fred became sort of my hero," Chavez said. "I saw him organize and I wanted to learn."
We’re pleased to share the news of today’s official release of the Bassi Veratti digital collection website. A video highlighting the historical import of the project and resulting site can be viewed on youtube . A version with narration in Italian is also available via youtube.
The digital Bassi Veratti Collection was first conceived in 2010 through discussion between the Stanford University Libraries, the Biblioteca comunale dell’Archiginnasio di Bologna (Archiginnasio) and the Istituto per i Beni Artistici, Culturali e Naturali della Regione Emilia-Romagna (IBC) along with Stanford Professor of History, Paula Findlen. Its development was truly an international collaboration, with the Archiginnasio providing the archive itself, its inventory and expertise about the collection’s contents, history, and arrangement, and Stanford librarians, digital technology specialists and web application designers and engineers transforming the inventory into a digital finding aid, managing the digitization work from afar, and conceptualizing and creating the bilingual discovery and delivery interface. The IBC provided regular support for the initiative, thanks to considerable experience gained through international projects.
In the eighteenth century, Laura Bassi was a scientist, professor at the University of Bologna, and member of the Bologna Academy of Sciences. Among the very first female professional scholars, her life (1711 - 1778) and work can tell us much about the personal and professional lives of early women scientists, their place in Enlightenment intellectual networks, as well as the spread of Newtonian physics in the Italian peninsula. Stanford history professor Paula Findlen is currently completing a scholarly biography on Laura Bassi.
The Bassi Veratti Collection website features high-resolution digital images of the complete contents of the Bassi e famiglia Veratti Archive presented in a robust discovery and delivery environment. This remarkable project managed by the Digital Library Systems and Services department (DLSS) is notable for the extent of cooperation with colleagues in Bologna. A fully bilingual website, it showcases the fresh approach taken by DLSS engineers to use existing open source technologies in exposing this richly-described archival collection to researchers. 672 letters, diplomas, poems, and other documents have been digitized, while the detailed inventory created by Archiginnasio archivists has been transformed into a fully indexed search interface to the collection. These two components have been seamlessly united in an intuitive and well designed scholarly website. For a full description of the technologies in use throughout the project and on the website, please refer to the technical summary on the site.
To celebrate the culmination of this important collaboration and the launch of the website, and to shine a spotlight on this remarkable woman on her 300th birthday, “The Papers of Laura Bassi and her Family: The Digitization of the Bassi Veratti Collection” will take place in Bologna on 20-21 March 2013. Findlen and University Librarian Michael Keller will be among the dignitaries and speakers participating.
The project was supported by the Gladys Krieble Delmas Foundation, the Marini Foundation, and Silicon Valley executive Guerrino de Luca (who serves on the Libraries Advisory Council). The contents of the digital Bassi Veratti archive will be permanently preserved in the Stanford Digital Repository.
The Oversized Imaging Lab has recently imaged a 70 x 90 inch rolled Map of Santa Clara County from 1914.
It was shot in 108 tiles and stitched together to create a 600 ppi, 55554 x 42686 or 2.371 gigapixel, 7.11 GB digital surrogate. This is the largest object we have imaged in the Map Scanning Lab thus far - it is an exciting milestone!
There are approximately 40 more oversize rolled maps in the Branner Map Collections that are waiting to be digitized. These maps are challenging from an access standpoint due to their cumbersome size. As the Assistant Map Librarian Jane Ingalls put it "these maps are so large that the patron can't see the center of the Map when it is laid out on a table for viewing and it is hard to get to the center with a magnifying glass." Digitization solves this problem!
In an unassuming low-rise building on a side street in Naples, Florida sits the Revs Institute. The Institute, which is open to invited scholars and guests, houses a collection of fully restored historically significant automobiles, as well as a library containing images, books and ephemera. Since the images are carefully stored, many as negatives, a large number of them may not have been seen since they were taken. Up until now, this entire collection was housed under one roof, one large hurricane away from being damaged or lost.
We haven't yet figured out how to digitally preserve automobiles, but digitization of the large and unique image collection of the Revs Institute is underway. Working with Pixel Acuity and the Revs Institute, over 100,000 images representing over 1 terabyte of data have been digitized and preserved in the Stanford Digital Repository (SDR) in just over a year since the project began. The Revs Digital Library website, built on top of SDR by engineers in the Stanford University Libraries, allows users to search and view all the images. The website is currently available only to members of the Stanford University community.
Each image can be viewed at full resolution using the zoom and pan controls familiar to users of Google Maps. Collections can also be browsed or viewed in a slideshow format. Next we plan to engage the automotive community by adding tools to help improve the metadata, thus adding additional value to the collection.
The initial internal launch of the Revs Digital Library is an important milestone - not only does it ensure these images will be preserved for the future, it also makes them readily available to scholars in the Revs Program at Stanford for research purposes.
But the work is only beginning. Over the next three years, along with additional tools and features, another 300,000 images are expected to become available in the digital library. And the history of the automobile will continue to be preserved for future generations.
The University Archives and Digital Library Systems and Services are pleased to announce that photograph albums from the Hanna House Collection are now available online via the Stanford Digital Repository. Featuring more than 300 photographs, the images document the construction and renovation of this Frank Lloyd Wright masterpiece.
In 1935, Paul and Jean Hanna commissioned Wright to design their home to be built on the Stanford University campus. Construction, begun in 1937, continued in four stages over 25 years. The house was the first structure in the world to use Frank Lloyd Wright's hexagonal grid system, which has subsequently been used widely in American architecture.
This is the second blog post from Stanford Media Preservation Lab in our series documenting our progress as we refurbish our ½” reel-to-reel videotape machine. When we left off, we had given our Sony AV-3650 a good cleaning and re-lubricated most of the mechanical workings of the tape transport.
The goal for these next sessions was to remove the old jacks from the machine’s connector panel and replace them with modern jacks that wouldn’t require adapters and could be used with our newer equipment in the video lab. Although the connectors were still functional, they were old and worn from use.
Although much of our time at SMPL is spent digitizing and working with library collections, part of our work involves seeking out legacy equipment that can be refurbished and installed in our labs for use in our reformatting work. In 2011, we were fortunate to find a working ½” EIAJ reel-to-reel videotape machine for sale. Knowing that it would need some work before it could be used, it lay tucked away until we received funding late last year to overhaul the machine and get it working in our lab. This is the first in a series of blog posts documenting our progress as we complete work on the restoration of our Sony AV-3650.
Did you read the news a few months ago about the Riverwalk Jazz archive coming to Stanford? Now the collection of radio shows is available online, featuring two channels of continuous audio streams: http://riverwalkjazz.stanford.edu/.
As fans of the long-running public radio program know, Riverwalk Jazz tells the story of early jazz and blues as it evolved in the first half of the 20th century. Using rich narrative, oral histories and interviews, clips of historic musical recordings, and live musical performances by the Jim Cullum Jazz Band, each radio show entertains and educates its listeners, promoting classic jazz music and an appreciation for its place in history. With this new web site, the series of programs is presented by the Stanford Archive of Recorded Sound as an incomparable research collection for use by jazz scholars and fans alike.