Stanford University Library’s Department of Special Collections has completed processing for two major collections: the Helen and Newton Harrison Papers and the William Hewlett Papers. The two projects were supported with funding from the National Endowment for the Humanities and the William and Flora Hewlett Foundation, respectively.
“There was war in heaven: and Satan was cast out into the earth, and his angels were cast out with him. Rejoice, ye heavens, and ye that dwell in them: woe to the inhabiters of the earth.” – Revelation 12:7-12
So opens The Fallen Angel, an oratorio by Sir Henry Rowley Bishop. The manuscript score, in Bishop’s hand, has recently been reunited with a full set of manuscript orchestral and choral parts, as item MLM 87 in Stanford’s Memorial Library of Music.
Tout Gai!, original manuscript by Maurice Ravel (1875-1937); traditional Greek text from the island of Chios, French translation by Michel-Dimitri Calvocoressi; No. 5 of Cinq Mélodies populaires grecques.
Memorial Library of Music, MLM 864
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Guest blogger: Kirstin Haag
Maurice Ravel was known as France’s premier living composer in the 1920s and ‘30s, but his early career was not without challenges. By 1900, Ravel had flunked out of his courses at the Conservatoire de Paris not once, but twice. By 1905, he had failed to win the Prix de Rome no less than five times. However, in the wake of these career hardships, Ravel orchestrated several Greek songs that would become some of his most beloved recital pieces.
Next week, from Feburary 1-February 5, archives are joining the adult coloring craze with #ColorOurCollections, providing coloring pages made from materials held within their special collections. We're joining in while simultaneously celebrating some newly released digitized material from the José Guadalupe Posada collection, circa 1875-1913.
Newly available for research is the Marjorie Henderson and Ruth Plumly Thompson archive.
By Deardra Fuzzell and Wayne Vanderkuil
A historic manuscript map and a gem of the Stanford Library Map Collection, the Ōmi Kuni-ezu 近江國絵圖 Japanese Tax Map from 1837 is hand drawn and painted in the round. This map is designed to be displayed on the floor with the viewer standing in its center. From this central vantage point, the map may be read with ease from any direction. As this display and viewing method is no longer possible for a map fast approaching its 200th birthday, Stanford has recently digitized this item to enable access for research, teaching and learning as well as preservation of the original object.
This the largest and most difficult oversized map Stanford has digitized thus far.
See how the Map Program went about imaging this unique item.
ePADD Phase 2, an IMLS-funded grant project, begins on November 2nd and will run through fall of 2018. In early November we launch the grant with two meetings – one with our Partnering Institutions and another with our Advisory Board.
Testing ePADD is the first step for the SUL team and our partners over the next few months as we kick-off the project. This will help the five institutions to develop and prioritize development over the course of the project.
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A song and piano sketches by Chopin share two sides of a single leaf, once belonging to Polish ethnologist and composer Oskar Kolberg (1814- 1890), and now residing in Stanford's Memorial Library of Music. The Kolberg and Chopin families were neighbors, and Oskar followed Chopin at the Warsaw Lyceum, studying piano with one of Chopin’s teachers. Kolberg was a lifelong collector of music manuscripts, specifically Polish folk and national music, which he used in his scholarly endeavors.