Piano music. Concertos. Songs. Orchestral and chamber works. Operas. The complete recorded works of Sergei Rachmaninoff (1873-1943) are now available for borrowing from the Music Library. This limited-edition, 32-disc set from the Decca Classics label features some of the greatest performers of the 20th and 21st centuries, including Vladimir Ashkenazy, Martha Argerich, Mikhail Pletnev, Jorge Bolet, Elisabeth Söderström, Olga Borodina, Alexander Ghindon, Sviatislav Richter, and Zoltán Kocsis, among many others. Orchestras include the Royal Concertgebouw Orchestra, the London Philharmonic, the Philadelphia Orchestra, the San Francisco Symphony, and more.
Compilations of musical works usually evoke images of audio cassettes, burned CDs, or playlists, but here at the Archive of Recorded Sound we’ve been uncovering compilations of a different flavor: conjoined piano rolls.
For your browsing pleasure, we present the following list of new scores added to composer complete editions, historical sets, and facsimiles:
Beethoven. Festspiele von 1812 und 1822. Werke / Beethoven ; herausgegeben von Beethoven-Archiv, Bonn, unter Leitung von Joseph Schmidt-Görg.
The Archive of Recorded Sound is pleased to announce the acquisition and recently completed processing of the Art Vincent Jazz Collection. The collection features over 800 hours of interviews, broadcasts, and call-in segments primarily created for the radio program Art of Jazz, produced and presented by Art Vincent (1926-1993), Jazz DJ and concert producer. The show aired on radio stations in the New York Metropolitan area between 1961 and the mid 1980s, including WFHA, WJLK, WRLB, and WGBO. In addition to some live concert recordings, the show notably featured interviews with major figures in the jazz world, such as Stan Kenton, Count Basie, Buddy DeFranco, Woody Herman, Ray Charles, Frank Sinatra, Lou Rawls, Roy Eldridge, Skitch Henderson, Art Farmer, Duke Ellington, Teddy Wilson, Stan Getz, Louis Armstrong, Gerry Mulligan, Dave Brubeck, Benny Goodman, Stephane Grappelli, Dizzy Gillespie, Toshiko Akiyoshi, Vera Auer, Ruth Brown, Betty Carter, Etta Jones, Sheila Jordan, Nellie Lutcher, Anita O'Day, Shirley Scott, Maxine Sullivan, Nancy Wilson, and many others.
The Music Library acquired a facsimile edition of the Ferrell-Vogüé Machaut manuscript (MS Vg), published by DIAMM Facsimiles, in 2 volumes. The introduction includes an extensive study by Lawrence Earp which reveals new information about the provenance of the book and the identity of its original owner, the Duc du Berry. Domenic Leo provides an “Art-historical commentary,” and Carla Shapreau a chapter on “The plunder and restitution of Vg: the Nazi era and its aftermath, 1940-49.” Christopher de Hamel discusses the recent history of the book in the Foreward. The facsimile is kept in the Locked Stacks in the Music Library and may be used in the library.
A copy of the Sherman & Hyde Musical Review (San Francisco, 1874) came across my desk and I happened upon this "artikel" written in tongue-and-cheek defense of the shape-note singing technique (aka, "skuare notes"), which was apparently looked down on by 'properly trained' musicians--"Round Heds", who read music with the standard round-head notation. The Music Library has a number of of shape-note singing primers, which were the subject of a 2012 exhibit on Early American Tune Books. Several titles have been digitized; see The Easy Instructor for examples of shape-note notation.
A few weeks ago, Jerry McBride, Mimi Tashiro, Jon Manton, Casey Mullin (our musical colleague in Lathrop Library) and I traveled to the Mile High City of Denver Colorado for the 84th annual meeting of the Music Library Association. We were greeted by a swirling snowstorm and single-digit temperatures: novel to us, not so much for the East Coast attendees!
The Archive of Recorded Sound (ARS) and Stanford Media Preservation Lab (SMPL) recently worked with the Center for Computer Research in Music and Acoustics (CCRMA), specifically Emeritus Professor John Chowning and current CCRMA director and Duca Family Professor Chris Chafe, to locate, research, and digitize a series of videos from the Archive's CCRMA Tape Collection (ARS.0037) documenting a significant event in the history of CCRMA and electronic and computer music at Stanford.
In September 1991, numerous pioneers of electronic and computer music, including Robert Moog and Max Mathews, convened at Stanford during the University's centennial weekend (Sept 27-29, 1991) for a concert and symposium honoring the then 95 year-old inventor of the first practical electronic musical instrument, Leon Theremin. Theremin's instrument, which bears his surname, has become arguably one of the most well known and recognizable electronic musical instruments ever devised, and has since inspired numerous subsequent inventions, such as Max Mathews' radio batons. It has been used in countless musical works, perhaps most famously in the Beach Boys 1966 hit, Good Vibrations. It also gave rise to the career of virtuoso Theremin performer, Clara Rockmore.