Blog topic: Music

Pipes in the Fisk-Nanney organ

JS Bach complete works for organ: listen now!

August 2, 2013
by Ray Heigemeir

In June 2009, University Organist Dr. Robert Huw Morgan embarked on a year-long series of recitals in honor of the 25th anniversary of the majestic Fisk-Nanney organ in Stanford’s Memorial Church. The programs consisted, quite simply, of the complete works for organ by another career organist, Johann Sebastian Bach. The Stanford Music Library is pleased to present streaming audio of these fourteen recitals through our website.

Researching Phonographs - Abraham Tewolde

July 26, 2013

In the third of a series of posts our Stanford University Libraries 1st-generation intern Abraham Tewolde has produced during his summer at the Archive of Recorded Sound, Abraham discusses the research work he is currently undertaking into the Archive's world class phonograph collection. This work has involved him learning basic research methodology, utilizing Searchworks, XSearch, and other such discovery tools to identify books, articles, and online resources pertaining to phonographs. I tasked Abraham with improving upon the Archive's current information for each phonograph, locating information for facets such as original price, city and country of production, date of production, and any additional background information he found during his search. The results of his research will form the basis of a description for each item in an upcoming online phonograph gallery, to be published shortly on the Archive's website

Arpa players

Spotlight on Smithsonian Global Sound

July 18, 2013
by Ray Heigemeir

Have you ever wanted to explore new music but perhaps needed some inspiration? Some site that wasn’t Top 40 radio?  Let me recommend Smithsonian Global Sound (access for Stanford students, faculty and staff). I recently looked for some traditional mariachi music--perfect for those warm summer days. A search for “mariachi” led me to over 20 albums of mariachi music and related genres.  I chose to play music of the conjunto de arpa grande (big harp ensemble), a “country cousin” of the mariachi ensemble.  These big harp ensembles consist of violins, guitars, and harp, without the trumpets so common to mariachi groups. The sones (sentimental songs) and valonas (poetic narratives) were sung with a wonderful directness and vocal flair.  The playing was rhythmic, tuneful, and celebratory.  Perfect!

Abraham Tewolde

Archive of Recorded Sound intern Abraham Tewolde

It is my pleasure to introduce Abraham Tewolde, a new intern at the Archive of Recorded Sound who is taking part in Stanford University Libraries 1st-generation summer intern program this summer.  During his time here Abraham will be learning how a sound archive functions and operates, including work on finding aids, digitization, inventory control, accessioning, and research skills.

Abraham will also be a guest blogger during his time here. Please enjoy below the first of a series of posts Abraham will be offering over the summer. 

Celebrating 100 years of "The Rite"

May 29, 2013

Today marks 100 years to the day since the infamous first performance of Igor Stravinsky's Le Sacre du Printemps (The Rite of Spring) at the Théâtre des Champs‐Elysées in Paris on 29 May 1913. The 31-year-old composer's two-part ballet score, coupled with 24-year-old Vaclav Nijinsky's choreography, provoked a riot on the opening night that according to most accounts rendered the music inaudible for most of the performance. The protests were so loud that Ballet Russes Director, Serge Diaghilev, was supposedly forced to shout instructions to his dancers onstage while flashing the auditorium's house lights in an attempt to quell the enraged audience. 

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