Schumann’s Dichterliebe, op. 48, from 1840 weds music and text into one of the most memorable song cycles of the Romantic period. The cycle consists of sixteen songs on poems from Heinrich Heine’s Lyrisches Intermezzo. The earliest recordings of the entire cycle were by Dutch baritone, Thom Denijs (1877-1935), who recorded the cycle twice in London with his wife, Emmy Denijs-Kruyt (1878-1964), as pianist, first in an acoustic recording on 5 April 1923 and later as an electrical recording in three sessions in January and July 1928.
The 82nd annual meeting of the Music Library Association took place in San Jose, February 27-March 3, 2013. Over 400 registrants enjoyed a wide range of educational sessions, workshops, and social events. Jerry McBride, Head of the Stanford Music Library & Archive of Recorded Sound, wrapped up a successful two-year run as president of the organization. In addition, Jerry’s publication, Douglas Moore: a bio-bibliography, was awarded the prestigious Vincent H. Duckles Award for the best book-length bibliography or other research tool in music.
New arrival in the Music Library:
Published by the Arnold Schönberg Center, Vienna.
Schönberg's Sechs kleine Klavierstücke (Six little piano pieces), op. 19, were composed during a very creative period in Schönberg's life, around the years 1910-1912. In addition to musical composition, Schönberg exhibited his paintings and kept a lively correspondence with his friend, the expressionist painter Kandinsky, and was also at work completing his orchestration for the Gurre-Lieder, and writing his Theory of Harmony. Five of the Six little piano pieces were composed in a single day, February 19, 1911. After the revered composer Gustav Mahler's death on May 18, 1911, Schönberg painted his impression of the event, the Begrabnis von Gustav Mahler (Burial of Gustav Mahler), and then composed the sixth piece in the op. 19 set, on June 17, 1911.
ACO is a new subscription database which includes over 60 years of popular music charts from the Americas, Europe and some Asian territories. Data is provided by Billboard, The Official Charts Company, Aria Charts and other similar sources.
Searching is possible by artist, single or album title, date, label, and chart position. Sophisticated tools then allow you to interpret, graph, analyze, compare and contrast musical trends and interactions. For instance you can chart the performance of Adele’s album 21 in the US, UK, and Australia. You are also able to superimpose graphs from different artists, countries and formats and display them in absolute or relative time. The instructional videos on the web site may be useful in learning how to use the graph function.
Most tracks and albums have audio samples.
"The Beethoven Project is a large-scale celebration acknowledging Bing Concert Hall as the new home of the Stanford Symphony Orchestra and Stanford Philharmonia Orchestra. These ensembles, under the baton of Jindong Cai, will devote the season to the performance of all nine Beethoven symphonies, as well as all five of the composer’s piano concerti featuring Van Cliburn Gold Medal–winning pianist and Stanford alumnus Jon Nakamatsu.
Did you read the news a few months ago about the Riverwalk Jazz archive coming to Stanford? Now the collection of radio shows is available online, featuring two channels of continuous audio streams: http://riverwalkjazz.stanford.edu/.
As fans of the long-running public radio program know, Riverwalk Jazz tells the story of early jazz and blues as it evolved in the first half of the 20th century. Using rich narrative, oral histories and interviews, clips of historic musical recordings, and live musical performances by the Jim Cullum Jazz Band, each radio show entertains and educates its listeners, promoting classic jazz music and an appreciation for its place in history. With this new web site, the series of programs is presented by the Stanford Archive of Recorded Sound as an incomparable research collection for use by jazz scholars and fans alike.
Did you know that all seven streaming audio databases offer selections of Christmas music that you can stream to your home or work computer, or your smartphone? Just search “Christmas” in each database to start browsing.
Access is restricted to Stanford users.
The Music Library media study room is now open. The room contains a study table and seating for up to five people. Audiovisual equipment includes a color video monitor and components to play all-region DVD, Blu-Ray, VHS, LaserDisc, LP, and CD formats. Connector cables will soon be available to allow projection from PC and Mac laptops.
- Available on a first-come basis; keys not required
- Priority use goes to patrons needing the playback equipment
- Groups of two or more take priority over single-person use
- Please observe a two-hour limit when others are waiting
- Food and drinks are not allowed
The room may be reserved in advance; please contact Ray Heigemeir to make arrangements. We do not yet have an automated reservation system; this may be developed in response to demand.