Stanford University Libraries has provided digital access to large portions of the Musical Acoustics Research Library (MARL) making available important research papers from some of the most eminent acousticians of the 20th century. The MARL collection consisting of nearly 60 linear feet of materials is dedicated to the study of all aspects of musical acoustics.
It is my pleasure to introduce Abraham Tewolde, a new intern at the Archive of Recorded Sound who is taking part in Stanford University Libraries 1st-generation summer intern program this summer. During his time here Abraham will be learning how a sound archive functions and operates, including work on finding aids, digitization, inventory control, accessioning, and research skills.
Abraham will also be a guest blogger during his time here. Please enjoy below the first of a series of posts Abraham will be offering over the summer.
Many Stanford folk will be away from campus this summer, but that doesn’t mean giving up the chance to listen to great music or watch streaming music videos.
Today marks 100 years to the day since the infamous first performance of Igor Stravinsky's Le Sacre du Printemps (The Rite of Spring) at the Théâtre des Champs‐Elysées in Paris on 29 May 1913. The 31-year-old composer's two-part ballet score, coupled with 24-year-old Vaclav Nijinsky's choreography, provoked a riot on the opening night that according to most accounts rendered the music inaudible for most of the performance. The protests were so loud that Ballet Russes Director, Serge Diaghilev, was supposedly forced to shout instructions to his dancers onstage while flashing the auditorium's house lights in an attempt to quell the enraged audience.
May 29, 2013 marks the centennial of one of the most storied premieres in modern history; namely, that of the ballet, Le Sacre du Printemps (The Rite of Spring) at the Théâtre des Champs-Élysées in Paris. The music was composed by Igor Stravinsky, with choreography by Vaslav Nijinsky, performed by Serge Diaghilev’s Ballets Russes; the orchestra was conducted by Pierre Monteux.
Medici.tv. provides high-definition webcasts of live classical music performances and an extensive video-on-demand catalog. Access is available to all current Stanford students, faculty, and staff.
Watch live-streamed concerts in real time or on delayed streaming. Concerts remain accessible generally for several weeks.
Many of the unpublished materials in the Musical Acoustics Research Library records have been digitized, except for personal correspondence and other miscellaneous documents. This includes materials from the four collections: the Catgut Acoustical Society, the John W. Coltman Collection, the Arthur H. Benade Collection, and the John Backus Collection. Researchers may access the digital copies through links from the description in the online finding aid.
The collection was processed in 2011 by Andrea Castillo. For more information please see Andrea's previous article.
The beginning of 2013 has seen a number of significant developments at Stanford's Archive of Recorded Sound, especially in the area of patron services, both at the Archive itself and online.
Information relating to these improved services can be found on the Archive's new website. This detailed resource also includes information on the Archive's extensive collections, guidelines for planning a research trip to the Archive, and finally recommendations for notable sound recording research tools, both online and in print.