Blog topic: Music

Piano roll lending libraries

October 26, 2015

“Paling’s Reproducing Records” is not a publisher. Even though that company meticulously adhered their label over the original one (see below) on the container, Peter Phillips graciously let us know that Paling’s was actually a music store in Australia, not a publisher. It was one of several stores in Sydney and Melbourne where one could borrow a piano roll from a lending library for a few cents. This put some of the other stamps and labels seen on rolls into a different context.

IPA Source, new music database

October 6, 2015
by Mimi Tashiro

IPA Source is the largest collection of literal translations and International Phonetic Alphabet (IPA) transcriptions on the web. The goal of IPA Source is to promote the comprehension and accurate pronunciation of foreign language texts in art song and opera in order that the singer may imbue each syllable with the appropriate emotional content. IPA Source offers texts to works for the solo voice in Latin, Italian, German, French, Spanish, and English.

Beyond perforations: Welte-Mignon piano roll text and illustrations

October 2, 2015

“So, it’s the original karaoke machine?”

A recent visitor on a tour to the Archive of Recorded Sound made this comment to me as I showed off the roll I was cataloging. On plain beige paper, at first it looked like a regular piano roll. A label at the beginning. Expression and performance data perforations appeared as I unrolled the roll. Then, at the side: words! You can imagine gathering around the piano to sing along with a group of friends at a party, just as Stanford undergrads may have done at the Stanford Student Union in 1915 or Encina Commons in 1926.

Chopin's signature, from MLM 217 (detail)

Chopin comes of age

October 2, 2015
by Ray Heigemeir

View or download:

Piosnka litewska (Lithuanian song), op. 74, no. 16 [1830?]

Drei Ecossaises, op. 72, no. 3 (sketches) [1830?]

A song and piano sketches by Chopin share two sides of a single leaf, once belonging to Polish ethnologist and composer Oskar Kolberg (1814- 1890), and now residing in Stanford's Memorial Library of Music.  The Kolberg and Chopin families were neighbors, and Oskar followed Chopin at the Warsaw Lyceum, studying piano with one of Chopin’s teachers. Kolberg was a lifelong collector of music manuscripts, specifically Polish folk and national music, which he used in his scholarly endeavors.

Mendelssohn. Sechs Lieder. Breitkopf, ca. 1846 (detail)

19th century cover art

September 17, 2015
by Ray Heigemeir
A sampling of printed music covers in the Music Library exhibit cases celebrates the art of lithography, providing examples of decorative frames and borders as well as scenes depicting various subjects. The nineteenth century saw a shift in music printing methods from engraving to lithography, a technique which allowed for increasingly fine decorative detail as is reflected in the covers on display.
Score notes (detail)

New music scores and facsimiles, September 2015

September 25, 2015
by Ray Heigemeir

For your browsing pleasure, we present the following list of new scores added to composer complete editions, historical sets, and facsimiles:

Modern editions

Bach, JS. Kammermusik mit Violine / Johann Sebastian Bach ; herausgegeben von Peter Wollny. Bd.3.

Eisler. Film music to Nuit et brouillardGesamtausgabe = Complete edition / Hanns Eisler. Ser.VI, Bd.23.

Gluck. L'Arbre enchanté, ou, Le Tuteur dupéSämtliche Werke / Christoph Willibald Gluck. Ser.4, Vol.10.

Rite of Spring, facsimile (detail)

New music scores and facsimiles, Summer 2015

August 31, 2015
by Ray Heigemeir

For your browsing pleasure, we present the following list of new scores added to composer complete editions, historical sets, and facsimiles: 

Modern editions:

Rossini. Sei Sonate a Quattro per Violini, violoncello e contrabbasso. Edizione critica delle opere di Gioachino Rossini / comitato di redazione, Bruno Cagli, Philip Gossett, Alberto Zedda (ser.6/4)

Schönberg. Serenade, op. 24. Sämtliche Werke / Arnold Schönberg ; herausgegeben von Josef Rufer (Abt. VI: Kammermusik, Reihe B, Bd. 23/1)

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