Blog topic: New acquisitions

Monod and his grandson (1998)

Stanford University Libraries receives music collection of Jacques-Louis Monod

October 13, 2017
by Jerry L McBride

The Stanford University Libraries received a collection of documents and manuscripts from the conductor, pianist, composer, and music editor, Jacques-Louis Monod. He was born at Asnières-sur-Seine, France on 25 February 1927 and, as a child prodigy, began his education at the Paris Conservatory in 1935. He studied composition principally with René Leibowitz, who was a major influence on his work, and also with composers Olivier Messiaen, Bernard Wagenaar, Boris Blacher, and Josef Rufer.

Met on Demand logo

Met Opera on Demand

October 10, 2017
by Mimi Tashiro

The Stanford Libraries have started a subscription to Met Opera on Demand, which streams more than 600 full-length Metropolitan Opera performances, including more than 100 high-definition videos known from their showings at movie theaters, classic telecasts originally broadcast live on tv from 1977-2003, radio broadcasts (audio only) of performances going back to 1935 from the Saturday matinee radio broadcasts, and more recent satellite radio broadcasts.

New E-Resource (India's Economic Indicators)

July 13, 2017
by C. Ryan Perkins

I am excited to announce that the library has recently acquired access to all 16 modules of EPWRF's (Economic and Political Weekly Research Foundation) India Time Series, which provides data on India's economic indicators.  The website is user-friendly and while there is some overlap with Indiastat there is also significant data that is unique to EPWRF.  You can access more than 30,000 variables through the library record found here: https://searchworks.stanford.edu/view/12087106

 

Tchaikovsky piano concerto no. 1, complete works edition

Composers and their works

June 23, 2017
by Ray Heigemeir

The scholarly edition of the famous Tchaikovsky Piano Concerto no. 1 just landed in my lap (ouch!), which got me thinking about the impressive publications we in the music world know as “composer complete works editions,” or, “composer collected works.” These often lavish, multi-volume sets of music scores are painstakingly produced by scholars, based on all available source material, and published over time following a pre-determined order, and as the name implies, present the complete output of a particular composer.

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