A recent score arrival highlights an interesting musical connection between Stanford and Fisk Universities. Salute, a fanfare for four b-flat trumpets and optional percussion by the American composer Walter Piston (1894-1976), was written for the Thirteenth Festival of Music and Fine Art at Fisk University in Nashville, held in 1942. The piece was commissioned by Harold C. Schmidt, Director of Choirs and Chair of the Music Department.
Piano music. Concertos. Songs. Orchestral and chamber works. Operas. The complete recorded works of Sergei Rachmaninoff (1873-1943) are now available for borrowing from the Music Library. This limited-edition, 32-disc set from the Decca Classics label features some of the greatest performers of the 20th and 21st centuries, including Vladimir Ashkenazy, Martha Argerich, Mikhail Pletnev, Jorge Bolet, Elisabeth Söderström, Olga Borodina, Alexander Ghindon, Sviatislav Richter, and Zoltán Kocsis, among many others. Orchestras include the Royal Concertgebouw Orchestra, the London Philharmonic, the Philadelphia Orchestra, the San Francisco Symphony, and more.
For your browsing pleasure, these titles have recently joined our reference collection. In no particular order:
For your browsing pleasure, we present the following list of new scores added to composer complete editions, historical sets, and facsimiles:
Beethoven. Festspiele von 1812 und 1822. Werke / Beethoven ; herausgegeben von Beethoven-Archiv, Bonn, unter Leitung von Joseph Schmidt-Görg.
The Archive of Recorded Sound is pleased to announce the acquisition and recently completed processing of the Art Vincent Jazz Collection. The collection features over 800 hours of interviews, broadcasts, and call-in segments primarily created for the radio program Art of Jazz, produced and presented by Art Vincent (1926-1993), Jazz DJ and concert producer. The show aired on radio stations in the New York Metropolitan area between 1961 and the mid 1980s, including WFHA, WJLK, WRLB, and WGBO. In addition to some live concert recordings, the show notably featured interviews with major figures in the jazz world, such as Stan Kenton, Count Basie, Buddy DeFranco, Woody Herman, Ray Charles, Frank Sinatra, Lou Rawls, Roy Eldridge, Skitch Henderson, Art Farmer, Duke Ellington, Teddy Wilson, Stan Getz, Louis Armstrong, Gerry Mulligan, Dave Brubeck, Benny Goodman, Stephane Grappelli, Dizzy Gillespie, Toshiko Akiyoshi, Vera Auer, Ruth Brown, Betty Carter, Etta Jones, Sheila Jordan, Nellie Lutcher, Anita O'Day, Shirley Scott, Maxine Sullivan, Nancy Wilson, and many others.
The Music Library acquired a facsimile edition of the Ferrell-Vogüé Machaut manuscript (MS Vg), published by DIAMM Facsimiles, in 2 volumes. The introduction includes an extensive study by Lawrence Earp which reveals new information about the provenance of the book and the identity of its original owner, the Duc du Berry. Domenic Leo provides an “Art-historical commentary,” and Carla Shapreau a chapter on “The plunder and restitution of Vg: the Nazi era and its aftermath, 1940-49.” Christopher de Hamel discusses the recent history of the book in the Foreword. The facsimile is kept in the Locked Stacks in the Music Library and may be used in the library.
Established in 1965, the Cambridge Structural Database (CSD) is the world’s repository for small-molecule organic and metal-organic crystal structures. Containing the results of over half-a-million x-ray and neutron diffraction analyses this unique database of accurate 3D structures has become an essential resource to scientists around the world.
The 2015 version of the Cambridge Structural Database System has been released, providing access to over 700,000 curated structures.
The Stanford University Archives is pleased to announce that it recently accessioned extensive media holdings from the Native American Cultural Center (NACC), including reel-to-reel language tapes, and VHS tapes and DVDs containing recordings of Native Research Forums, the Hanitchak Lecture Series, Native Graduation, and Hall of Fame Induction and Alumni Dinner events. Also included in the transfer are photographs of Native alumni, copies of the Stanford Native Community newsletter, and posters of the Stanford Powwow. All materials date from 1970-2014.