The Archive of Recorded Sound announces two new appointments.
Blog topic: Sound recordings
Staff at the Archive of Recorded Sound have, for the first time, created a complete inventory of the ARS Sheet Music Collection. This culmination of over 13,000 published titles was generated through various donations during the Archive's first 60 years (1958-2018). The vast majority of titles within the collection are popular music scores published in the United States along with publications from England, France, Italy, and elsewhere.
By Beth Ryan and Jill Sison
The Stanford piano roll scanner has progressed from a prototype to a functional, production level machine since the last report in spring of 2017. As reported earlier, the scanner is based on a design by Anthony Robinson, a piano roll expert in England.
The Stanford Archive of Recorded Sound is pleased to announce completion of the portion from the Robert Baxter Collection pertaining to the American-born Greek soprano, Maria Callas (1923-1977). During her lifetime, Callas was a fervent interpreter of the bel canto technique in the works of Donizetti, Rossini, and Bellini at La Scala, the Metropolitan Opera, and other notable venues. Her dramatic interpretations of Verdi and Puccini are often regarded as some of the finest interpretations of all time.
The Howe Collection of Musical Instrument Literature has now been processed and is available for research. The collection was created by Richard J. Howe, an oil company executive and mechanical engineer as well as a collector of mechanical musical instruments and associated literature. The Howe Collection of Musical Instrument Literature, one of the largest and most comprehensive collections of its kind, documents the development of the music industry and the manufacture of pianos, organs, and mechanical musical instruments. The materials in the collection include catalogs, books, magazines, correspondence, photographs, broadsides, advertisements, and price lists. The Howe collection was originally donated to the Institute of Piano Music at the University of Maryland and later transferred to Stanford to support the Player Piano Project.
Listening to music has become a passion in our current, busy lives. With the development of digital formats and downloading, digital music devices abound in the marketplace, our homes, and our offices—but the listening experience hasn’t always been this way. Just a century ago, before the advent of “digital,” or stereo, or even electric recording, people enjoyed recorded music through such formats as 78 rpm records, cylinders, music boxes, and player piano rolls.
The Chuck Black Endowment for Early Jazz and Blues promotes the study of early and traditional jazz, blues, and similar musical styles as they emerged and evolved from 1900-1950. In 2016-17 the Endowment acquired twenty-four rare blues recordings.