The Archive of Recorded Sound is delighted to announce that the Richard Maxfield Collection (ARS.0074) can now be listened to online, via the collection's finding aid on the Online Archive of California. This collection features nine distinct works by electronic music composer Richard Maxfield, composed between 1959-1964, four of which are believed to be previously unpublished (Dromenom, Electronic Symphony, Suite from Peripateia, and Wind). Additionally, as Maxfield frequently produced unique edits of his work for each performance, many of the open tape reels that form this collection include alternative edits to those previously published, such as the tapes for Amazing Grace which feature three different versions of the work.
The Archive of Recorded Sound recently processed a number of important additions to the Blanche Thebom Collection (ARS.0059), courtesy of Phyllis Villec, a close friend of Thebom's for many years. These additions include a substantial number of programs, newspaper clippings, correspondence, ephemera, photographs, and personal documents spanning the mezzo-soprano's career.
One of the remarkable things about large digitization projects is that not just formal events are preserved but also informal events are preserved for future access. As a matter of process the Stanford Media Preservation Lab takes part in the preservation of media that captures these special informal events. Recently while working on a portion of the Allen Ginsberg papers many recordings were digitized but (at least) two recordings were re-formatted that informally capture his friendships with other important 20th century figures.
The Archive of Recorded Sound has recently processed the following collections:
(N.B details of the live festival recordings in this collection have been online for some time. Recent processing has included the creation of a finding aid that details the entire collection in addition to these live audio and video recordings).
This collection contains the archives of the Monterey Jazz Festival from 1958 to the present. It primarily consists of unpublished sound recordings and videos of festival concerts, and interviews and panel discussions in various formats, many of which are also available as digital sound and video files. Also included are a variety of recordings received with the collection that are not recordings from the festival itself, but instead feature content connected to the festival in some way, such as studio recordings of artists who performed at the festival, demo tapes for artists wishing to perform at the festival, or various recordings relating to festival founder Jimmy Lyons in some way. Some books, photographs, posters, programs, and other miscellaneous papers can also be found in the archives. The collection adds material every year.
A new exhibition has just opened at the Stanford Music Library entitled Treasures from the Archive of Recorded Sound, on show through August 14. The exhibition was curated and installed by the Archive of Recorded Sound's Interim Operations Manager, Benjamin Bates, who describes the content and theme of the exhibit in more detail.
The University Archives and DLSS are pleased to announce that the Project South transcripts are now online. The transcripts document meetings and interviews with civil rights workers in the South recorded by several Stanford students affiliated with the campus radio station KZSU during the summer of 1965. The project was sponsored by the Institute of American History at Stanford.
The Archive of Recorded Sound is pleased to announce the launch of a substantially updated finding aid for the Issei Oral History Project in Watsonville Collection. In addition to many other notable improvements, which include English summaries of each interview from the collection and additional subject headings to aid discovery, the new finding aid now includes streaming audio of each recorded interview. The finding aid is available on the Online Archive of California.