In November, approximately 80,000, files representing nearly 630 items were accessioned into the Stanford Digital Repository (SDR). These materials include -- but are not limited to -- items from the Gaihozu Maps, TRAIL Maps and the Jarndyce Collection.
In October, approximately 44,500, files representing nearly 850 items were accessioned into the Stanford Digital Repository (SDR). These materials include -- but are not limited to -- items from the Walters Art Museum, R. Stuart Hummel Collection and the Jarndyce Collection.
Some of the items most recently deposited to the Stanford Digital Repository (SDR) include thousands of images that are nothing short of, well, ordinary. For instance, in the Names 100 Dataset, you can download a folder containing 80,000 small images depicting the faces of ordinary people. In another case, there are millions of snapshots of San Francisco street scenes and buildings. Each image is notable for its lack of distinction. It’s as if anyone could have captured these images using their smartphone. And that is precisely the point.
In September, approximately 157,000, files representing nearly 400 items were accessioned into the Stanford Digital Repository (SDR). These materials include -- but are not limited to -- items from the Jarndyce Collection, Stanford historical photographs, and the Tanenbaum Collection.
What do you get when you combine 14 library staff, the John A. Blume Center for Earthquake Engineering Technical Reports, the SDR self-deposit interface, and pizza? A Deposit-a-thon, of course!
A lot of valuable research done on Stanford's campus is published as part of technical reports, and as valued research output there is no better place to preserve these -- and make them easily accessible to the world -- than through the Stanford Digital Repository.
In August, approximately 68,000, files representing nearly 600 items were accessioned into the Stanford Digital Repository (SDR). These materials include -- but are not limited to -- items from the correspondence from Athanasius Kircher, Stanford historical photographs, and the journal of the Gorilla Foundation.
"The founding of Yung-yidish, the first Yiddish artistic avant-garde group in Poland, grew out of a meeting in 1918 between poet Moyshe Broderzon and a group of visual artists centered around Yitskhok Broyner, Yankl Adler, and Marek Szwarc. Eventually, the group included some 20-odd members including Yitsḥak Katzenelson, Yekhezkl-Moyshe Nayman, and Hershele, as well as younger people discovered by the group, such as the artist Henekh Bartshinski and the writers Elimelekh Shmulevitsh, Khayim Leyb Fuks, and Yisroel Shtern."
Stanford's set of Yung-Idish is part of the Ezra Lahad Collection, which was acquired by Roger Kohn for Stanford in 1998. The issues, on crumbling thin cardboard stock, were painstakingly conserved by the Stanford Libraries' professional conservators in 2012, prior to their digitization.