The Stanford University Archives is pleased to announce that it recently accessioned extensive media holdings from the Native American Cultural Center (NACC), including reel-to-reel language tapes, and VHS tapes and DVDs containing recordings of Native Research Forums, the Hanitchak Lecture Series, Native Graduation, and Hall of Fame Induction and Alumni Dinner events. Also included in the transfer are photographs of Native alumni, copies of the Stanford Native Community newsletter, and posters of the Stanford Powwow. All materials date from 1970-2014.
Attending Reunion Weekend this year? Bring your Stanford historical materials to the University Archives booth at the Ford Center to donate them or have them selectively scanned and returned!
Social Justice at Stanford, an exhibit showing in the Bender Room of Green Library beginning September 30, explores the theme of social justice as revealed through a selection of materials from the Stanford University Archives documenting 20th century civil rights and social protest movements.
These new collections take advantage of recently released functionality that provides researchers with new rich discovery and access capabilities for finding and working with digital collection content. Researchers may now discover the following materials:
This collection provides supplemental data and spreadsheets related to the M.S. thesis in the Department of Geological and Environmental Sciences by Daniel Ibarra (December, 2014) and the subsequent publication in the Geological Society of America Bulletin (Ibarra et al., 2014). For additional information about this collection, check out this recent blog post by Amy Hodge.
Collection Contact: Amy Hodge
The Archives is pleased to announce that it has acquired the papers of two noted scholars of women's studies: Marilyn Boxer and Karen Offen.
Marilyn Boxer (Ph.D, UC Riverside) is emeritus professor of history at San Francisco State University and former lecturer and scholar at the Institute for Research on Women and Gender at Stanford. She has held administrative appointments at San Diego State University, including Chair of the Department of Women's Studies (1974-1980) and Dean of College of Arts and Letters (1985-1989); as well as at San Francisco State University where she served as Vice-president for Academic Affairs (1989-1996). Boxer is the author of When women ask the questions: creating women's studies in America (1998). She has also co-edited three books: Socialist women: European socialist feminism in the nineteenth and early twentieth centuries (1978); Connecting spheres: European women in a globalizing world, 1500 to the present (1987); and Clara Zetkin: National and International Contexts (2012). In 2004, Boxer received the Helen Hawkins Feminist Activist Award for Betterment of Women's Lives.
The University Archives is pleased to announce the acquisition of the Keith Johnstone papers. Johnstone, a British and Canadian pioneer of improvisational theatre, is best known for inventing the Impro System and Theatresports, the latter of which has become a staple of modern improvisational comedy and is the inspiration for the television shows such as "Whose Line Is It Anyway?." As an educator, playwright, actor and theatre director Johnstone's ideas about improvisation, behaviour and performance appeal to a wide variety of groups. From actors to psychotherapists, improvisation companies to theatre schools and companies, business and management training specialists and humanities research institutes, universities and film production companies have invited him to come to teach them about his ideas, and how they might apply them.
Hats off to Stanford: An exhibit on the Junior Plug Ugly, will be on display this summer in Green Library's Bender Room.
The exhibit explores the rise and fall of one of the university's earliest lost traditions: the Junior Plug Ugly. Named after the "Plug Uglies," a ruthless gang operating along the Atlantic seaboard around the time of the American Civil War, the Plug Ugly was an annual satirical performance started in 1898 that showcased the hand-painted top hats uniformly worn by members of the Junior Class during this period. The performance devolved over the course of two decades into a bloody interclass brawl, until the Administration finally banned the event from ever again taking place on the Stanford campus.
This exhibit features reproductions of photographs and other archival materials from the University Archives, as well as a large selection of original hand-painted plug hats from the late 19th and early 20th centuries, perhaps the largest such selection ever publicly displayed at Stanford.