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logo of the International Internet Preservation Consortium

We are pleased to announce the acceptance of our bid to join the IIPC Steering Committee, based on a vote by the IIPC membership. SUL joins the 15-member group as one of two currently-serving university library members (the other being the University of North Texas Libraries) and as the third university library to ever serve on the body (the other being the California Digital Library).

SLAC Early website "We had no idea that we were making history and were just trying to get the job done in our 'spare' time',”  Louise Addis, one of the WWWizards team who developed the SLAC website from 1991, said during our conversation about the restoration of SLAC's earliest website. Last May, Nicholas Taylor, web archiving service manager, told me, "SLAC has a historical collection of webpages that may be the first website in the US. Can we help them to find a home for this archive?” As Web archivist, I felt that I found a treasure. I replied, "Of course, Stanford Web Archive Portal should be the home."

One of the major use cases for the Web Archiving Service is preserving Stanford University web content. The earliest SLAC website represent the oldest such content we could find; it is the first website in the US dated to 1991, so we started there. Stanford Web Archiving Service launched its portal this week which featured SLAC's earliest website that was kept on SLAC servers for many years. This Halloween, it comes back to life. Our task was to convert the original list of scattered files into an accessible, browsable website with temporal navigation. In this post, I will discuss the technical challenges of and lessons learned from restoration process.

logo graphic appearing on the "SLAC Home Page" 1994-1995

In the course of creating a browsable archive of the SLAC earliest websites, we discovered a number of interesting facts and features that might not be readily apparent on casual browsing. While surely not an exhaustive catalog, we hope that these observations will help you to quickly get into the archive and discover some of what it has to offer.

logo graphic appearing on the "SLAC Home Page" 1994-1995

At a microscopic level, web archives document the evolution of individual websites. At a macroscopic level, they document the evolution of the Web itself. In the case of web archives for the period when the entire Web consisted of only a handful of individual websites, changes to even a single website reflect changes to the Web itself. We are pleased to announce the availability of such an archive, notably featuring the oldest U.S. website, dating to December 21, 1991.

'The Dish (HDR)' (under CC BY-NC-SA 2.0)

A couple of weeks ago, Stanford University Libraries hosted Dame Wendy Hall, Jim Hendler, and other web scientists affiliated with the Web Science Trust for a briefing on the Web Observatory initiative and a follow-on workshop organized by Lisa Green from Common Crawl. The notion of a Web Observatory implies a center proferring scientific instruments, but for the analysis of web data rather than natural phenomena. Indeed, the group's vision is that Web Observatories provide access to web datasets, projects, and tools. Eventually, a network of Web Observatories might offer both an interoperable architecture and distributed infrastructures for sharing and analysis of web datasets. The initiative touches on several areas of interest and investment by Stanford University Libraries, including data curation, web archiving, and supporting social science research.

'Step 7' (under CC BY-NC-ND 2.0)

A major challenge for web archivists is the low visibility that downstream archiving has on upstream web content creation. And, yet, deliberate and inadvertent architectural decisions made by web content creators strongly impact the ease or difficulty with which their websites can be captured and faithfully re-presented. A non-trivial byproduct of webmasters helping to ensure their content is archived for their own later use is that the Web itself becomes more archivable, to everyone's benefit.

The Stanford University Libaries is one of the founding partners of the International Image Interoperability Framework (, which aims to enable broad access to cultural heritage images on the web. This exciting initiative is in its fifth year and is beginning to have an impact on the way digital images are used to support research and teaching.  The IIIF editors recently released version 2.0 the IIIF API's, which is a major step towards creating a stable and sustainable technology framework for image interoperability.   

To celebrate this progress, the IIIF community is hosting a one day information sharing event at the British Library about the use of images in and across cultural heritage institutions.  The day will focus on how museums, galleries, libraries and archives, or any online image service, can take advantage of a powerful technical framework for interoperability between image repositories.   This event will be valuable for organizational decision makers, repository and collection managers, software engineers, and anyone interested in exploring the wide range of use cases that are seamlessly enabled by the framework.  

Attendance is free, and widespread dissemination of the event is encouraged.

A detailed program is available at and those interested can register to attend at


Tape container for Wind (1961)

The Archive of Recorded Sound is delighted to announce that the Richard Maxfield Collection (ARS.0074) can now be listened to online, via the collection's finding aid on the Online Archive of California. This collection features nine distinct works by electronic music composer Richard Maxfield, composed between 1959-1964, four of which are believed to be previously unpublished (Dromenom, Electronic Symphony, Suite from Peripateia, and Wind). Additionally, as Maxfield frequently produced unique edits of his work for each performance, many of the open tape reels that form this collection include alternative edits to those previously published, such as the tapes for Amazing Grace which feature three different versions of the work.