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Germanic Collections
Cultural History of the GDR
Collections on Recent and Contemporary German Culture and
Politics: Cultural History of the German Democratic Republic
by Henry Lowood,
Curator of Germanic Collections (1990-2008), Stanford University Libraries
The Stanford University Libraries (SUL) have, beginning in
1990, actively acquired recent and contemporary primary sources,
including special collections in German cultural, literary, and
social history. These collecting activities have not only been
stimulated by research directions linked to the reunification
of Germany, but also by the opening of new channels for acquiring
materials. In response to these opportunities, we have built a
collection of primary source materials that emphasizes the theme
of culture and cultural politics in the former German Democratic
Republic. The collection is divided under the following headings:
Theaterverlag
Autoren-Kollegium (Special Collections. M637)
Mitteilungen
des Deutschen Schriftstellerverbandes, 1963-1989
Theaterprogramme
(Special Collections. M644)
Willi
Bredel (Special Collections. M665)
New
Literary Publishers in East Germany
Other
New Publishing Ventures in East Germany
The
Book Arts Scene of the 1980s in East Germany and Its Continuation
after 1989
DEFA
and East German Film
Dokumentationsbibliothek
DDR Kunst: Books on the Fine Arts in East Germany (Special Collections, M0772)
Poster
Collections
East
German Popular and Material Culture
Other collections, such as the APO
(Extraparliamentary Opposition) and Student Movement Collection
(Special Collections. M613); and the collections of the The
Hoover Institution; document related topics or provide important
comparative perspectives to SUL's GDR collections.
The descriptive notes that follow have been culled from a variety
of sources, including vendor listings, memoranda and newsletters.
In most cases, more detailed finding aids are available in the
Department of Special Collections.
Theaterverlag Autoren-Kollegium
(Special Collections. M637)
Autoren-Kollegium formed 1988/89 in East Berlin by some 25
playwrights, most of whom were relatively young and had been unable
to find a creative outlet through the established theaters and
publishers in East Germany. Of the 110 or so typescript plays
completed between 1978 and 1991 in this collection, the only titles
to have been published as of 1991 appeared in Jörg Koerbl's
Gorbatschow, Fragment; Zauberstein & sprach/kommentar.
Zwei Stücke (Berlin: Autoren-Kollegium, 1990). Harald
Müller, who managed the Autoren-Kollegium, edited several
plays for publication, including two by other members of the Autoren-Kollegium,
in: DDR-Theater des Umbruchs. This collection offers most
of the unpublished Schubladentexte of the Autoren-Kollegium
in the versions as they would have been sent to theaters. (Libraries
generally are unable to acquire plays in this format.) A short
description of the project is available in the collection, along
with a good descriptive catalog of the plays available from the
Autoren-Kollegium in 1991, which includes biographies and short
bibliographies of the members; the catalog lists most of our holdings
(but not all), as well as some plays which we did not get. An
article on the Autoren-Kollegium appeared in TAZ (16 Feb.
1991), which is held by the Hoover Library.
With this material, one could work on the "alternative"
theater scene in East Germany and compare these texts to, say,
the "official" plays published by Henschel. There was
also a curious relationship between the Kollegium and Herbert
Schirmer, the last cultural minister of the GDR.
Mitteilungen des Deutschen Schriftstellerverbandes,
1963-1989
After 1973, this organization was known as the Schriftstellerverband
der DDR. The Mitteilungen were the internal publication
of the organization, which published Neue Deutsche Literatur
and sponsored the Schriftstellerkongresse. Anna Seghers was president
until 1978, when she was succeeded by Hermann Kant.
Theaterprogramme (Special Collections.
M644)
"Die Sammlung enthält 222 Exemplare von Theaterprogrammheften
aus Ostberliner Theatern im Zeitraum 1951-1970. Der Schwerpunkt
liegt in den 50er Jahren. Die Sammlung dokumentiert viele wichtige
Aufführungen aus dieser Zeit ... Alle Programmhefte mehrseitig,
mit Abbildungen und Beiträgen zu den Stücken und zur
Zeit, etc." (From the dealer's description.)
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This collection of East German theater programs documents plays
performed at the Deutsches Theater (Intendant: Wolfgang Langhoff),
1951-1973; Theater am Schiffbauerdamm (Fritz Wisten), 1950-1954;
Maxim Gorki Theater (Maxim Vallentin), 1952-1956; Volksbühne
(Fritz Wisten, u.a.), 1954-1963; Berliner Ensemble (Bertolt Brecht,
u.a.), 25 plays; and many others. |
Willi Bredel (Special Collections.
M665)
These papers were preserved by Bredel's secretary and include
his correspondence and other documents produced between 1953 and
1964. The collection comprises some 560 individual items. The
main topic is the Bibliothek fortschrittlicher deutscher Schriftsteller,
an anthology of German writers who were "politically
correct" in the context of the GDR in the mid-1950s. The
correspondence touches on matters such as authors' royalties and
publishing rights in the GDR and documents certain aspects of
Bredel's fall from favor in the GDR, as well as such trivial matters
as his efforts to repair his Western automobile. The collection
includes two literary manuscripts.
In 1990, I identified a group of new publishers in East
Germany that I wanted to collect in order to document the impact
of the Wende on literary publishing and East Germany's
countercultural movements, most notably the Prenzlauer Berg writers.
The major publishers in this group were Druckhaus
Galrev, Janus press, and Corvinus
Presse, all located in Berlin. These collections include ephemeral
material and information about the publishers, such as book announcements,
catalogs, publicity flyers, and postcards. (In Special Collections:
Corvinus Presse, 1989-1995, in Misc 297; Druckhaus Galrev, 1990-1994,
in Misc 296.) We have copies of most Galrev titles in the Green
stacks, as well as an extra copy of each in Special Collections.
The look and content of Galrev's book production in particular
could be tied to semi-establishment attempts at hip book design
and content in the DDR (viz. the "Ausser der Reihe"
series), which in turn were related to the underground book arts
scenes in East Germany (see below). Besides Anderson and his colleague
Rainer Schedlinski (both since linked to the Stasi), co-founders
of Galrev, perhaps the best-known author at Galrev would be Bert Papenfuss-Gorek.
Another Galrev author, Ulrich
Zieger, is known for contributing to the script of Wim Wender's
1993 film, Faraway, So Close! (In weiter Ferne, so nah!)
and for winning the Bachmann Prize in 1997.
Smaller publishers in West Berlin, such as the Mariannenpresse,
were linked to trends from the "Prenzlauer Berg scene"
that flowered at Galrev. Other writers were published both by
the new post-1989 literary publishers and by independent presses
in the pre-1989 East German book arts scene (see below), such
as Johannes (Jot) Jansen or Flanzendörfer (Frank Lanzendörfer),
and we have many examples from both groups of publishers. Research
on the transition from the GDR to the post-reunification Bundesrepublik
in literary publishing also requires materials on West German
publishing prior to 1989, as well as West German countercultures
and underground publishing. Stanford holds important reference
materials on West German
alternative culture before 1989, as well, such as the Verzeichnis
der alternativMedien, the catalogs of the Minipressenmessen,
the Verzeichnis linker lieferbarer Bücher, and so
on. The APO collection includes many examples of underground literary
publishers from West Germany.
Other New Publishing Ventures
in East Germany
Along with the independent literary publishers, there have
been numerous new publishing ventures such as newspapers, newsletters,
literary magazines, etc., since the late 1980s. We have a good
collection of representative and important titles of magazines
and weeklies from the new Bundesländer. Examples:
Freitag, Die Andere, Reiterin,
Kreuzer, Telegraph,
etc. These publications supplement the alternative and literary
publications, such as magazines, that we have in Hoover
and in Department of Special
Collections for the post-1968 scene in West Germany (quite
a few are in the APO and Student Movement Collection.
As in the case of Druckhaus Galrev, we have in Special Collections
material relating to a few of the small presses in East Germany.
These include Trümmerpresse (F. Jacobi), Katzengrabenpresse
(Jan Silberschuh), and others. We have acquired some interesting
items (1989-1995) directly from the Corvinus
Presse (Hendrik Liersch), which (as the name suggests) has
been much influenced by the old Rabe Verlag (V. O. Stomps). This
material includes postcards, handmade books (including a rare
tribute to Stomps called Verleger für VauO in the
form of a handmade Festschrift; the East German automobile,
the Trabant, is featured in one set of postcards. As noted above,
the collection of ephemeral items from the Corvinus Presse is
held in Special Collections (Misc 297). Other interesting examples
of the creativity and continuity of the East German book arts
scene include Uwe
Warnke's Found Poetry (Berlin: 1991), printed in part
on colored "DDR-Verpackungspapier," and Serielle
Texte (1989).
For the subjects of counterculture, underground book arts,
etc. in the DDR, there are now several good references: the exhibition
catalog by Jens Henkel and Sabine Russ, DDR 1980-1989: Künstlerbücher
und originalgrafische Zeitschriften im Eigenverlag, eine Bibliographie.
Gifkendorf, 1991; non kon form: Künstlerbücher,
Text-Grafik-Mappen und autonome Zeitschriften der DDR 1979-1989
(Kiel, 1992). Eigenart und Eigensinn: Alternative Kulturszenen
in der DDR 1980-1990 (Bremen, 1993). Mail Art Szene: DDR
1975-1990 (Berlin, 1994).
Another generally useful title for several
of the topics discussed above, is: Vogel oder Käfig sein:
Kunst und Literatur aus unabhängigen Zeitschriften in der
DDR, 1979-1989, ed. Klaus Michael and Thomas Wohlfahrt (Berlin:
Galrev, 1991).
We have been actively collecting current and retrospective
material dealing with DEFA, the state-run film production company.
(Cf. Joshua Feinstein's recently completed Ph.D. dissertation
in the History Department on DEFA, which made use of this material.)
The videotape collection in the Meyer Library Media Collection
is growing, and we have also been able to acquire film scripts
(some annotated), documentary material, and an extensive collection
of secondary sources. Consider the director Wolfgang Staudte;
Stanford owns the a videotape of Der Untertan, a Werkbuch
for Dreigroschenoper 63, and several studies of Staudte's
work. We have acquired a few works by young East German filmmakers
of the 1980s and early 1990s (e.g., Andreas Dresen, Sibylle Schönemann),
many available in no other American collection, particularly those
distributed by Ex Picturis in Berlin.
Filmscripts can be found in Special Collections under: DEFA.
Studio fur Spielfilme. German filmscripts : 1949-1988.
Special Collections M595. The most notable group of titles in
this collection are the films by Frank Beyer, including Der
Aufenthalt; Spur der Steine; Mama, ich lebe; and Einer
trage des anderen last. Some are annotated by members of the
production staff.
The latest acquisitions in the area of East German film have
emphasized the film industry represented by DEFA. These include
a collection of more than 320 movie posters from East Germany,
1955-1975, preserved by the owner of a movie theater who categorized
them neatly by country of production. The bulk of these posters
advertise films from East Germany, the Soviet Union, and the United
States, but DEFA was responsible for all of the graphic work,
regardless of the country from which they were imported. The posters
were used-and are often marked with information such as dates
and times of showings. A related recent acquisition is a collection
of roughly 1700 Filmprogramme of the VEB "Progress
Filmvertrieb," the distribution arm of DEFA, issued from
1954 to 1977. These programs generally consist of 1 or 2 folded
sheets and are illustrated. This collection includes an index
of the programs published from 1969 to 1974, as well as a run
(1970-1977) of the magazine Treffpunkt Kino published by
Progress, roughly 40 film prospectuses published for distribution
at film festivals, and publicity for Soviet films.
Some books on East German film and photography are also included
in the Dokumentationsbibliothek
DDR Kunst.
An important related source is the DEFA
Film Library at the University of Massachusetts, Amherst,
is a film archive, library, and study center devoted to research
on DEFA (Deutsche Film-Aktiengesellschaft) and cinema in the former
GDR.
In late 1994, SUL acquired a documentary collection of more
than 1000 books on the fine arts in East Germany. This collection
consists primarily of exhibition catalogs, but also includes monographs
and a small number of ephemeral items, such as brochures and small
catalogs. The collection is housed in the Department of Special
Collections, with a detailed finding aid and bibliographic database. View Finding
Aid.
Learn more about
this collection.
Poster Collections
East German Popular and Material
Culture
We acquired an East German collection
that included several long runs of East German pictorial magazines
and Frauenzeitschriften. Titles include: Neue Berliner Illustrierte
(1962-1988); Eulenspiegel (1956-1986); Für
Dich (1965-1987); Zeit im Bild (1954-1956, 1962-1967),
Freie Welt (1965-1987); Filmspiegel (1954-1972),
Magazin für Haus und Wohnung (1975-1983). The first
three titles are probably the only complete runs in the United
States, and all of these titles are quite rare in the U.S. These
six titles alone represent more than 5000 individual magazine
issues, with a vast collection of images, as well as articles.
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(c) 1997 by Stanford University
Last modified:
June 19, 2009
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