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London : Hyperion, 2014.
Music Library » Recordings » (no call number)
Recorded at the Music Room at Hatchlands Park in Surrey. Read a recent interview with Mahan Esfahani on Presto Classical.

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Broadwood grand piano, 1810

Dr. Haydn's VI original canzonettas for the voice with an accompaniment for the Piano-Forte : dedicated to Mrs. John Hunter. London : Printed for the Author, & Sold by him at No. 1, Bury Street, St. James - at Messrs. Corri, Dussek & Co. Music Sellers to her Majesty, No. 7 Dean Street, Soho & Bridge Street, Edinburgh, [1794-1795]

Second sett of Dr. Haydn's VI original canzonettas : for the voice with an accompaniment for the piano forte / dedicated to the Right Honble. Lady Charlotte Bertie. London : Printed & sold for Messrs. Corri, Dussek & Co., [1795?]

Download images of the complete works: First set | Second set

What a time Haydn must have had during his London stays in the early 1790s! Already hailed as a great composer, and preceded by the performance and publication of numerous successful works including symphonies, string quartets, and works for keyboard, he was eagerly embraced by London society.

As reported in the Lady’s Magazine, January 1791:

“A remarkable circumstance happened this evening, in the ball-room at
 St. James's. Haydn, the celebrated 
composer, though he has not yet been 
introduced at our court, was recognised
 by all the royal family, and paid them 
his silent respects. Mr. Haydn came 
into the room with sir John Gallini, 
Mr. Wills, and Mr. Salomon. The 
prince of Wales first observed him, and
 upon bowing to him, the eyes of all the
 company were upon Mr. Haydn, every
one paying him respect.”

Naxos temple gate

Arianna a Naxos, Hob. XXVIb:2
MLM 489. London, Printed for the author [1791], signed by the composer

Link to downloadable images of this work

Arianna a Naxos was first published by Artaria in Vienna in 1790, followed by this London edition printed for Haydn by John Bland and first offered for sale on June 10, 1791. Bland was instrumental in bringing Haydn to London, and provided Haydn’s first lodging there in January 1791. Bland had visited Haydn at Eszterháza. One day during Haydn’s grooming routine, he heard the composer complain about his dull razors. “I’d give my best quartet for a pair of good razors,” he exclaimed, upon which Bland raced back to his room, grabbed his new British razors, and presented them to Haydn. In exchange Bland received the manuscript for the Quartet, op. 55 No.2, the “Razor” Quartet.  Or so the story goes.  We do know that Bland took away the manuscript for Arianna and a contract to publish Haydn’s flute trios.

Q.R.S Playasax roll

Staff at the Archive of Recorded Sound recently came across a particularly unusual item while unboxing and sorting the Denis Condon Collection of Reproducing Pianos and Rolls, part of the recently announced Player Piano Project here at Stanford. 

This small roll, just 4.5 inches wide, was found among approximately 7500 of its larger brothers and sisters - the reproducing piano rolls that make up the Condon Collection. Following further research, it was discovered that this roll was designed for a toy, a type of player saxophone called the Playasax, produced by Q.R.S. Q.R.S are in fact the only surviving piano roll company still in existence today.