Recently acquired, an engraving by Jan Sadeler (1550-1600) from 1590, based on the painting of Joos van Winghe (1544-1603) depicting King David playing the harp. A group of choristers is gathered around an open choir book which contains the 5-part setting of Psalm 116 by Andreas Pevernage (1542 or 3-1591).
Stanford music librarians Jerry McBride, Mimi Tashiro, Nancy Lorimer, Jon Manton, Jihong Zhang, and Ray Heigemeir (that’s me) were in attendance at the 83rd annual meeting of the Music Library Association in Atlanta, Georgia at the end of February. A total of 403 attendees from the US, Canada and select other countries spent the better part of a week learning, discussing, debating, and celebrating the changing landscape of music librarianship.
Stanford composer Brian Ferneyhough is the subject of the first monograph from Intellect Books' Critical Guides to Contemporary Composers series. Brian Ferneyhough, by Lois Fitch, "examines the critical issues fundamental to understanding the composer as both musician and thinker"--[book cover]
Chapters include: biography; notation; the solo works: 'Black Scherzo'; chamber 'concerts'; chamber music; string quartet; Time and Motion Study Cycle; Carceri d'Invenzione: style and innovation; Shadowtime; works for orchestra and large ensemble; and aesthetics.