The Brompton’s Book of Violin and Bow Makers, by Jon Dilworth, is a biographical dictionary of violin (and viola, viola, ‘cello and bass) makers as well as bow makers in Europe and the United States. Jon Dilworth, violin maker and connoisseur, spent many years collecting this information in part through his association with Brompton’s Auctioneers--Fine & Rare Instruments, in the form of note cards, photographs, and digital files. The work builds upon the corpus of knowledge of lutherie (the art and craft of making fine stringed instruments) established by earlier seminal works such as Henley’s Universal Dictionary of Violin and Bow Makers, Vannes’ Dictionnaire universel des luthiers, and Lütgendorff’s Die Geigen und Lautenmacher vom Mittelalter bis zur Gegenwart.
The Archive of Recorded Sound is delighted to announce that the Richard Maxfield Collection (ARS.0074) can now be listened to online, via the collection's finding aid on the Online Archive of California. This collection features nine distinct works by electronic music composer Richard Maxfield, composed between 1959-1964, four of which are believed to be previously unpublished (Dromenom, Electronic Symphony, Suite from Peripateia, and Wind). Additionally, as Maxfield frequently produced unique edits of his work for each performance, many of the open tape reels that form this collection include alternative edits to those previously published, such as the tapes for Amazing Grace which feature three different versions of the work.
The Archive of Recorded Sound recently processed a number of important additions to the Blanche Thebom Collection (ARS.0059), courtesy of Phyllis Villec, a close friend of Thebom's for many years. These additions include a substantial number of programs, newspaper clippings, correspondence, ephemera, photographs, and personal documents spanning the mezzo-soprano's career.