Rare music materials on display

Summer students encounter rare music

June 28, 2017
by Ray Heigemeir

It was my distinct pleasure to offer a window into Stanford Libraries’ rare music collections to students in the “Why Music Matters” course from the Stanford Pre-Collegiate Summer Institute, and performers in the St. Lawrence String Quartet’s Chamber Music Course.  We gathered in Special Collections for an up-close examination of manuscripts and early print materials, dating from 1942 (Irving Berlin’s White Christmas) all the way back to the 12th century (a sacred chant fragment).

Tchaikovsky piano concerto no. 1, complete works edition

Composers and their works

June 23, 2017
by Ray Heigemeir

The scholarly edition of the famous Tchaikovsky Piano Concerto no. 1 just landed in my lap (ouch!), which got me thinking about the impressive publications we in the music world know as “composer complete works editions,” or, “composer collected works.” These often lavish, multi-volume sets of music scores are painstakingly produced by scholars, based on all available source material, and published over time following a pre-determined order, and as the name implies, present the complete output of a particular composer.