On display in the Music Library are a variety of facsimiles of musical manuscripts. Items range from a meticulous reproduction of the 15th-century Chansonnier de Jean de Montchenu, a heart-shaped collection of courtly love songs worked with gilt and fine hand illustrations, to a very convincing replica of the notebook page upon which Kurt Cobain penned lyrics for the iconic song Smells Like Teen Spirit.
The Archive of Recorded Sound (ARS) recently took an active role in two courses during the spring semester, one in the Stanford Music Department and the other in the Program in Writing and Rhetoric, to encourage students to deposit their final projects into the Stanford Digital Repository (SDR). The purpose of working with these courses was primarily to introduce students to the SDR and its many benefits, and to walk them through the process of using the SDR's self-deposit tool. This instruction was backed up by customized online screencasts that guided students through the deposit process for the particular sets of materials within their projects. The rate of deposit for both courses was extremely high as the professors in each case elected to make the deposit of final projects into the SDR a mandatory part of the courses' requirements.
The Brompton’s Book of Violin and Bow Makers, by Jon Dilworth, is a biographical dictionary of violin (and viola, viola, ‘cello and bass) makers as well as bow makers in Europe and the United States. Jon Dilworth, violin maker and connoisseur, spent many years collecting this information in part through his association with Amati Instruments Limited, in the form of note cards, photographs, and digital files. The work builds upon the corpus of knowledge of lutherie (the art and craft of making fine stringed instruments) established by earlier seminal works such as Henley’s Universal Dictionary of Violin and Bow Makers, Vannes’ Dictionnaire universel des luthiers, and Lütgendorff’s Die Geigen und Lautenmacher vom Mittelalter bis zur Gegenwart.