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London : Wigmore Hall Live, p2014.
Music Library » Recordings » MCD 26457
"With a programme of Byrd, Bach and Ligeti, and using two very different instruments, he shed light both on the harpsichord’s first heyday and on its second as 1970s avant-gardists awoke to its unique possibilities. And if this Iranian-American has carved out a niche as his instrument’s leading champion – his harpsichord Prom in 2011 was the first in that institution’s history – his success is founded on remarkable artistry. The Ligeti pieces were off-the-wall, and that was how he played them…"-- Michael Church, International Piano Magazine.

Music news

Tape container for Wind (1961)

The Archive of Recorded Sound is delighted to announce that the Richard Maxfield Collection (ARS.0074) can now be listened to online, via the collection's finding aid on the Online Archive of California. This collection features nine distinct works by electronic music composer Richard Maxfield, composed between 1959-1964, four of which are believed to be previously unpublished (Dromenom, Electronic Symphony, Suite from Peripateia, and Wind). Additionally, as Maxfield frequently produced unique edits of his work for each performance, many of the open tape reels that form this collection include alternative edits to those previously published, such as the tapes for Amazing Grace which feature three different versions of the work. 

Blanche Thebom as Laura, in La Gioconda

The Archive of Recorded Sound recently processed a number of important additions to the Blanche Thebom Collection (ARS.0059), courtesy of Phyllis Villec, a close friend of Thebom's for many years. These additions include a substantial number of programs, newspaper clippings, correspondence, ephemera, photographs, and personal documents spanning the mezzo-soprano's career.  

Image of Allen Ginsberg Papers Cassette

One of the remarkable things about large digitization projects is that not just formal events are preserved but also informal events are preserved for future access. As a matter of process the Stanford Media Preservation Lab takes part in the preservation of media that captures these special informal events.  Recently while working on a portion of the Allen Ginsberg papers many recordings were digitized but (at least) two recordings were re-formatted that informally capture his friendships with other important 20th century figures.