At a glance

Music Library

Stanford faculty, student, staff & alumni publications

2014 Summer/Fall arrivals

Music Library » Stacks » ML410 .W1 C36 2013
Contributors include Thomas Grey and Lydia Mayne.
London : Wigmore Hall Live, p2014.
Music Library » Recordings » MCD 26457
"With a programme of Byrd, Bach and Ligeti, and using two very different instruments, he shed light both on the harpsichord’s first heyday and on its second as 1970s avant-gardists awoke to its unique possibilities. And if this Iranian-American has carved out a niche as his instrument’s leading champion – his harpsichord Prom in 2011 was the first in that institution’s history – his success is founded on remarkable artistry. The Ligeti pieces were off-the-wall, and that was how he played them…"-- Michael Church,International Piano Magazine.

2014 Winter/Spring arrivals

Menlo Park, Calif. : [People 's Computer Co.,
SAL3 (off-campus storage) » Stacks » ML1 .C7385 V.36 2012
Volume 38/2 (Summer 2014) includes "Ocarina: Designing the iPhone's Magic Flute," by Ge Wang. Stanford readers may access this issue online.
St. Joseph, Mich. : Imperial Printing Co., 1982-
SAL3 (off-campus storage) » Stacks » ML1 .J86 V.29 2012
Volume 31/2 (Spring 2014) includes "The Ends of Music History, or: The Old Masters in the Supermarket of Cultures," by Karol Berger. Professor Berger also provides a response to Richard Taruskin's article, "Agents and Causes and Ends, Oh My." Stanford readers may access this issue online.
Cambridge : Cambridge University Press, c2004-
SAL3 (off-campus storage) » Stacks » ML5 .T94 V.8 2011
Volume 11/1 (March 2014), a special issue on transcription, includes "Between Composition and Transcription: Ferruccio Busoni and Music Notation," by Erinn Knyt. Stanford readers may access the article online.
[Ithaca, N.Y.] : Westfield Center
Music Library » Stacks » ML549 .K492 V.4 2011
Volume V (2012) includes "Strungk's lament: on mothers, death, and counterpoint," by David Yearsley.
New York : Broude Trust, 2013.
Music Library » Stacks (Limited loan) » M3 .J19 2005 V.5
The arrival of volumes 5 and 6 completes our holdings of the collected works of Jacquet de la Guerre.
Cambridge, England ; New York : Cambridge University Press, c2007-
SAL3 (off-campus storage) » Stacks » ML1 .J756 V.6 2012
Volume 8/1 (February 2014) includes "Articulating and Contesting Cultural Hierarchies: Guatemalan, Mexican, and Native American Music at the Panama-Pacific International Exposition (1915)," by Amanda Cannata. Stanford readers may access the article online.
Champaign, Ill. : Sonneck Society and the University of Illinois Press
SAL3 (off-campus storage) » Stacks » ML200 .A512 V.30 2012
Volume 31/3 (Fall 2013) includes "Ferrucio Busoni and the New England Conservatory: Piano Pedagogue in the Making," by Erinn Knyt.
Includes "The Livenesses of Pandit Bhimsen Joshi's Popular Abhangas," by Anna Schultz.
Music Library » Recordings » MCD 26080
Mahan Esfahani's first solo album is BBC Music Magazine's recording of the month!
Cambridge : Cambridge University Press, c1992-
Music Library » Stacks » ML169.8 .P6978 V.21 2012
Volume 24/1 (April 2014) includes "Staging violence, suffering and orthodoxy in the chants of the Spanish March," by Sebastián Salvadó. Stanford researchers mayview this article online.
San Francisco [etc.]: Computer Music Association,
Music Library » Stacks » ML36 .I6187 1977
ICMC Proceedings 2012 include "Proceeding from performance: an ethnography of the Birmingham Laptop Ensemble," by Graham Booth and Michael Gurevich.
San Francisco [etc.]: Computer Music Association,
Music Library » Stacks » ML36 .I6187 1977
ICMC Proceedings 2011 include "World stage: a crowdsourcing paradigm for social/mobile music," by Ge Wang, Jieun Oh, Spencer Salazar and Robert Hamilton; "Audience-participation techniques based on  social mobile computing," by Jieun Oh, Ge Wang; and "UDKOSC: an immersive musical environment," by Robert Hamilton.
Cambridge, England ; New York, NY : Cambridge University Press, c1989-
SAL3 (off-campus storage) » Stacks » ML1 .C177 V.22 2010
Volume 25/3 (November 2013) includes "Wagner and the 'Makart style'," by Thomas Grey. Stanford readers may view this article online.
Includes the essay "Monstrous noise: Silent Hill and the aesthetic economies of fear," by William Cheng.
Cambridge : Cambridge University Press, c2004-
SAL3 (off-campus storage) » Stacks » ML195 .E33 V.9 2012
Volume 11/1 (March 2014) includes "Transpositions of Spectacle and Time: The Entr'acte in the Tragédie en musique," by Blake Stevens. Stanford patrons may access this article online.
New York, NY : The Society, 1989-
Music Library » Stacks » ML933 .H673 V.24 2012
Includes "Voices in the desert: the trombone choir at the Martinez Indian Mission," by Stewart Carter.
Redland, Florida : Everglade Records, Inc., 2011.
Music Library » Recordings » (No call number)
[Richmond, Va., etc., American Musicological Society]
Music Library » Stacks » ML27 .A498 V.66 2013
Volume 66/3 (Fall 2013) includes "Pleasure's discontents," by William Cheng.
Music Library » Recordings » (No call number)
Music Library » Recordings » (No call number)
Andrew Fouts, baroque violin; Patricia Halverson, viola da gamba; Scott Pauley, theorbo and baroque guitar.
[Pittsburgh, Pa.] : Chatham Baroque, p2010.
Music Library » Recordings » MCD 26047
Andrew Fouts, baroque violin; Patricia Halverson, viola da gamba; Scott Pauley, theorbo and baroque guitar.
Cleveland, Oh : Quire Cleveland, 2013.
Music Library » Recordings » MCD 25985
Ross Duffin, Artistic Director; also featuring alto Beverly Simmons.
[Cleveland, Ohio] : Quire Cleveland, [2012]
Music Library » Recordings » MCD 25987
Ross Duffin, Artistic Director; also featuring alto Beverly Simmons.