Rare Music Materials at Stanford is a Spotlight instance that presents materials from the Stanford University Libraries' collections that have been digitized in response to research requests, or were produced for small projects. Items and their downloadable images may also be found in SearchWorks, Stanford's library catalog.
Special Collections & University Archives
The Manuscripts Division of the Department of Special Collections exists to arrange, describe, preserve, and make available documents and born-digital materials of enduring historic value, both as intellectual items and as historical artifacts, to support the research needs of the undergraduates, graduate students, faculty and other scholars at Stanford University and beyond. Stanford University Library subject curators actively seek out collections to enhance our holdings. Since 2009, Special Collections has been involved in developing a Born-Digital Program in collaboration with the Digital Library Systems and Services Department.
Overture zum 3. Akt, Die Zauberharfe, original manuscript by Franz Schubert (1797-1828); libretto by Georg von Hofmann.
Memorial Library of Music, MLM 948
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Guest blogger: Benjamin Ory
Die Zauberharfe, or “The Magic Harp,” was a melodrama premiered on August 19, 1820 at the Theater an der Wien in Vienna. The original cast included Ferdinand Schimon (Palmerin, tenor), Karl Erdmann Rüger (Arnulf), Josefa Gottdank (Melinda), Frl. Botta (Ida), and Nikolaus Heurteur (Folko). There were seven repeat performances through October 12, before the work was subsequently withdrawn from the repertory. The majority of Hofmann’s text and some of the musical numbers were lost, and thus, no further staged performances were able to occur. The manuscript of the Act III Overture now resides in Stanford’s Memorial Library of Music.
Stanford University Library’s Department of Special Collections has completed processing for two major collections: the Helen and Newton Harrison Papers and the William Hewlett Papers. The two projects were supported with funding from the National Endowment for the Humanities and the William and Flora Hewlett Foundation, respectively.