Physical and digital books, media, journals, archives, and databases.
Results include
  1. Narrative interludes : musical tableaux in eighteenth-century French texts

    Cuillé, Tili Boon
    Toronto : University of Toronto Press, 2005.

    French authors in the eighteenth century traditionally used music to enhance literary love scenes. Jean-Jacques Rousseau considerably expanded contemporary notions of music's expressive power, yet distinguished between the capacity of different nations and sexes to wield it. Rousseau's controversial statements led his readers to interrogate the relationship between music, meaning, and morality. They depicted their resistance to his claims in musical tableaux, or musical performances staged for a beholder inscribed within the text. Tili Boon Cuille's Narrative Interludes chronicles the emergence of the musical tableau in French literature. Spanning the latter half of the eighteenth century, Cuille brings the cultural discourse on music and musicians to bear on the works of Diderot, Cazotte, Beaumarchais, Charriere, Cottin, Krudener, and Stael. She turns attention from the representation of music to its moral repercussions, from aesthetic innovation to social resistance, and from national to gender politics. Juxtaposing pre-eminent and popular writers, Cuille reads their fictional works in light of their treatises on art and society, exploring the significance of musical tableaux that have previously fallen outside the scope of literary analysis but that revolutionized the form and function of music in the text.

    Online EBSCO Academic Comprehensive Collection

  2. Narrative interludes : musical tableaux in eighteenth-century French texts

    Cuillé, Tili Boon
    Toronto ; Buffalo : University of Toronto Press, c2006.

    French authors in the eighteenth century traditionally used music to enhance literary love scenes. Jean-Jacques Rousseau considerably expanded contemporary notions of music's expressive power, yet distinguished between the capacity of different nations and sexes to wield it. Rousseau's controversial statements led his readers to interrogate the relationship between music, meaning, and morality. They depicted their resistance to his claims in musical tableaux, or musical performances staged for a beholder inscribed within the text. Tili Boon Cuille's Narrative Interludes chronicles the emergence of the musical tableau in French literature. Spanning the latter half of the eighteenth century, Cuille brings the cultural discourse on music and musicians to bear on the works of Diderot, Cazotte, Beaumarchais, Charriere, Cottin, Krudener, and Stael. She turns attention from the representation of music to its moral repercussions, from aesthetic innovation to social resistance, and from national to gender politics. Juxtaposing pre-eminent and popular writers, Cuille reads their fictional works in light of their treatises on art and society, exploring the significance of musical tableaux that have previously fallen outside the scope of literary analysis but that revolutionized the form and function of music in the text.

  3. Divining nature : aesthetics of enchantment in Enlightenment France

    Cuillé, Tili Boon
    Stanford, California : Stanford University Press, [2021]

    The Enlightenment remains widely associated with the rise of scientific progress and the loss of religious faith, a dual tendency that is thought to have contributed to the disenchantment of the world. In her wide-ranging and richly illustrated book, Tili Boon Cuille questions the accuracy of this narrative by investigating the fate of the marvelous in the age of reason. Exploring the affinities between the natural sciences and the fine arts, Cuille examines the representation of natural phenomena-whether harmonious or discordant-in natural history, painting, opera, and the novel from Buffon and Rameau to Ossian and Stael. She demonstrates that philosophical, artistic, and emotional responses to the "spectacle of nature" in eighteenth-century France included wonder, enthusiasm, melancholy, and the "sentiment of divinity." These "passions of the soul, " traditionally associated with religion and considered antithetical to enlightenment, were linked to the faculties of reason, imagination, and memory that structured Diderot's Encyclopedie and to contemporary theorizations of the sublime. As Cuille reveals, the marvelous was not eradicated but instead preserved through the establishment and reform of major French cultural institutions dedicated to science, art, religion, and folklore that were designed to inform, enchant, and persuade. This book has been made possible in part by the National Endowment for the Humanities: Exploring the human endeavor.

    Online DeGruyter

Guides

Course- and topic-based guides to collections, tools, and services.
No guide results found... Try a different search

Library website

Library info; guides & content by subject specialists
No website results found... Try a different search

Exhibits

Digital showcases for research and teaching.
No exhibits results found... Try a different search

EarthWorks

Geospatial content, including GIS datasets, digitized maps, and census data.
No earthworks results found... Try a different search

More search tools

Tools to help you discover resources at Stanford and beyond.