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  1. Fathers and daughters

    Sharpe, Sue, 1945-
    London ; New York : Routledge, 1994.

    Sharpe explores important factors in the relationships between fathers and daughters. She uses the words and experiences of fathers and daughters to draw out the complexities, conflicts and contradictions of this unique relationship.Fathers and Daughters explores the complex nature of this subject using the voices and experiences of both fathers and daughters. Sue Sharpe provides an examination of the important processes operating within the relationship such as those affecting gender roles, achievement, teenage sexuality, women's relationships with men and ageing. It is an original and captivating treatment of a strangely neglected subject. Sue Sharpe is a free-lance writer and researcher based in London.

    Online EBSCO Academic Comprehensive Collection

  2. Fathers and daughters : portraits in fiction

    New York, N.Y., U.S.A. : NAL Books, c1990.

  3. Fathers and daughters : patterns of seduction in tragedies by Gryphius, Lessing, Hebbel, and Kroetz

    Walsøe-Engel, Ingrid
    1st ed. - Columbia, SC : Camden House, c1993.

    Stressing the verbal nature of seduction, with its roots in the unkept promise and the seduction discourse, the author reveals the core of the seduction interaction in the destruction of the father-daughter relationship. Once found sexually alluring by a man not of her father's choosing, the fate of the daughter is sealed. The only way she can demonstrate her virginal purity, to her father, her society, and herself, is by sacrifice and death. In chapters dealing with Andreas Gryphius's Catharina von Georgien, Lessing's Miss Sara Sampson and Emilia Galotti, and Hebbel's Maria Magdalena, the author uncovers the archetypal patterns that always inform the dramatic conception of the daughter's seduction. Walsoe-Engel's analysis of Emilia Galotti is especially provocative, as she reveals the source of the much disputed inconsistency and ambiguity in the character of the title-figure. She provides a surprising answer to the age-old questions: 'Does Emilia love the Prince?' and 'Has Emilia been seduced?'.

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