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  1. Dangerous border crossers : the artist talks back

    Gómez-Peña, Guillermo
    London ; New York : Routledge, 2000.

    Through the performance ritual, the audience vicariously experiences the freedom, cultural risks, and utopian possibilities that society has denied them. Audience members are encouraged to touch us, smell us, feed us, defy us. In this strange millenial ceremony, the pandora box opens and the post-colonial demons are unleashed. - Guillermo Gromez-Penas Performance Diaries Guillermo Gomez-Pena has been variously described as among the most significant of late-twentieth-century performance artists - The Village Voice ; a peacemaker in the worlds culture clash - Vanity Fair ; and a wizard of language - The Chicago Tribune . He is without doubt, a unique outsider-artist who crosses the border and talks back. In Dangerous Bordercrossers , Gomez-Pena continues his epic, artistic journey through globalisation, the commodification of identity, and the continuing culture wars. His writings, like his performances, point towards a borderless future and a poetics of hybridity. This latest anthology of his performance chronicles, diary entries, poems, essays, and texts, sheds an extraordinary light on the life and work of this migrant provocateur. He documents and illuminates his brilliantly inventive collaborations with Roberto Sifuentes and Sara Shelton-Mann, among others, and reveals, for the first time, what it's like to be a Chicano on the road. Dangerous Bordercrossers is at once sexy, scary and inspiring. Be prepared to be provoked.

  2. El mexterminator : antropología inversa de un performancero postmexicano

    Gómez-Peña, Guillermo
    1a ed. - México, D.F. : Oceano, 2002.

  3. Conversations across borders : a performance artist converses with theorists, curators, activists and fellow artists

    Gómez-Peña, Guillermo
    London ; New York : Seagull Books, 2011.

    For the last fifteen years, performance artist and writer Guillermo Gomez-Pena has led a series of ongoing conversations with cultural luminaries from both North and South America. These dialogues with theorists, curators, activists, and fellow artists - such as Lisa Wolford Wylam, Tim Miller, Felipe Ehrenberg, Orlando Britoo Jinorio, Silvana Straw, and Rafael Lozano-Hemmer, among others - explore the terrain between art and theory. In "Conversations Across Borders", Gomez-Pena has gathered the most challenging and captivating of these conversations, revealing their significant contribution to key debates within the international art world. Both bold and humorous, these conversations address issues of timely concern to artists, including border culture, new technologies, urban hipsterism, and globalization gone wrong. "Conversations Across Borders" explores dialogue as a performative act, as a radical space for initiating and testing the boundaries of critical culture. Together, these texts propose a distinct set of critical practices that are invigorated by the endangered art of conversation.

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