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  1. Gender

    Alabanza, Travis
    London : Tate Gallery Publishing Ltd., 2021 New York, NY : ABRAMS

    Celebrated playwright and artist Travis Alabanza offers a revelatory new perspective on the ways that art and gender have interacted through the ages, taking us into the drama that always follows gender, and the drama that always follows art. Through a number of recognisable works from the national collection of art, we discover who is really putting on a show, and what they are trying to tell usTate Britain: Look Again: the National Collection of British Art reimagined for today. Gender is a polyphonic portrait of the representation of gender in art, from acclaimed playwright and artist, Travis Alabanza. Gender is performance. Think of the acts of drama that go hand-in-hand with our experience of gender: a man spreading his legs on a tube; a woman showing biceps in a boiler suit saying, 'We Can Do it!'; a stiletto heel stepping on a briefcase. It seems wherever gender goes, there follows a show of what it might be trying to say. Art is also wrapped up in performance. We see a piece of art as a still of a performance in motion, a moment of drama, a snapshot, a glimpse into a spectacle - it captures a breath to be immortalised. In this book, celebrated playwright and artist Travis Alabanza offers a revelatory new perspective on the ways that art and gender have interacted through the ages, taking us into the drama that always follows gender, and the drama that always follows art. Through a number of recognisable works from the national collection of art, we discover who is really putting on a show, and what they are trying to tell us. .

  2. Gender w sztuce = Gender in art

    Arcimowicz, Krzysztof, 1968-
    Kraków : Muzeum Sztuki Współczesnej w Krakowie, 2015.

  3. Transcultural encounters : gender and genre in Franco-Maghrebi art

    Shilton, Siobhán, 1975-
    Manchester ; New York : Manchester University Press, 2013.

    Art since the 1980s reveals a striking proliferation of works exploring the complex cross-cultural identities that have resulted from a long history of exchange between France and the Maghreb. This adventurous study examines distinctively visual means of presenting 'Franco-Maghrebi' identities in performance, video, photography and installation art. Transcultural encounters investigates the ways in which such art spurs a re-thinking of both postcolonial and feminist issues and critical terms in an uneven globalised frame. It demonstrates how this corpus develops art historical debates concerning gender and representation, while also considering emerging visions of the Maghreb. Analysing a wide range of works presented in galleries, online or in the street, this study shows how they test the boundaries of established art genres, calling for the invention of new modalities of 'reading' transnational visual culture. The first book to explore postcolonial and feminist approaches to contemporary art from a 'Francophone' space, Transcultural encounters incorporates much material that has previously received little critical attention. The book will be of interest to researchers in French studies, postcolonial studies, visual studies and gender studies, as well as curators and artists working across cultures and media. -- .

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