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  1. Islamic calligraphy

    Blair, Sheila
    Edinburgh : Edinburgh University Press, c2006.

    Joint Winner of the 2007 British-Kuwait Friendship Society Prize for Middle Eastern Studies This stunning book is an important contribution to a key area of non-western art, being the first reference work on the art of beautiful writing in Arabic script. The extensive use of writing is a hallmark of Islamic civilization. Calligraphy, the art of beautiful writing, became one of the main methods of artistic expression from the seventh century to the present in almost all regions from the far Maghrib, or Islamic West, to India and beyond. Arabic script was adopted for other languages from Persian and Turkish to Kanembu and Malay. Sheila S. Blair's groundbreaking book explains this art form to modern readers and shows them how to identify, understand and appreciate its varied styles and modes. The book is designed to offer a standardized terminology for identifying and describing various styles of Islamic calligraphy and to help Westerners appreciate why calligraphy has long been so important in Islamic civilization.The argument is enhanced by the inclusion of more than 150 colour illustrations, as well as over a hundred black-and-white details that highlight the salient features of the individual scripts and hands. Examples are chosen from dated or datable examples with secure provenance, for the problem of forgeries and copies (both medieval and modern) is rampant. The illustrations are accompanied by detailed analyses telling the reader what to look for in determining both style and quality of script. This beautiful new book is an ideal reference for anyone with an interest in Islamic art. Key Features / Written by the world's leading expert on Islamic calligraphy / Includes c.150 colour illustrations / Comprehensive: covers the art of calligraphy throughout Islamic civilisation, from the 7thc. to the present / The first volume to explain this art form to modern readers, guiding them in the identification, understanding and appreciation of its varied style and modes.

  2. How to read Islamic calligraphy

    Ekhtiar, Maryam
    New York : The Metropolitan Museum of Art, [2018] New Haven ; London : Yale University Press, [2018]

    An accessible introduction to the quintessential art form of the Islamic world How to Read Islamic Calligraphy explores the preeminence of the written word as a means of creative expression throughout the Islamic world. Aimed at a general audience, the book introduces all five major Islamic calligraphic script types, demonstrates their distinctive visual characteristics, and explains the various contexts in which each one came to be used, whether for transcribing the Qur'an, composing poetry, or issuing written edicts from the sultan's court. Numerous examples illustrate how the transmission of these styles and techniques from master to pupil was fundamental to the flourishing of Islamic calligraphy, and handwriting models from as early as the 10th century continue to inspire students of calligraphy today. Superbly illustrated, the works discussed include manuscripts, glass, metalware, and ceramic tiles. This accessible and engaging book traces the progression of calligraphic styles over centuries and across geographical regions, affirming the spectacular range of creative possibilities afforded by this unique art form.

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