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  1. Surviving Squid Game : a guide to K-drama, Netflix, and global streaming wars

    Kim, Suk-Young, 1970-
    Essex, Connecticut : Applause Theatre & Cinema Books, [2023]

    "An illuminating look at the origins, manifestations, and future prospects for the global juggernaut that is Korean pop culture, through the lens of the mega hit Squid Game"--

  2. DMZ crossing : performing emotional citizenship along the Korean border

    Kim, Suk-Young, 1970-
    New York : Columbia University Press, [2014]

    "The Korean demilitarized zone might be among the most heavily guarded places on earth, but it also provides passage for thousands of defectors, spies, political emissaries, war prisoners, activists, tourists, and others testing the limits of Korean division. This book focuses on a diverse selection of inter-Korean border crossers and the citizenship they acquire based on emotional affiliation rather than constitutional delineation. Using their physical bodies and emotions as optimal frontiers, these individuals resist the state's right to draw geopolitical borders and define their national identity. Drawing on sources that range from North Korean documentary films, museum exhibitions, and theater productions to protester perspectives and interviews with South Korean officials and activists, this volume recasts the history of Korean division and draws a much more nuanced portrait of the region's Cold War legacies. The book ultimately helps readers conceive of the DMZ as a dynamic summation of personalized experiences rather than as a fixed site of historical significance. Suk-Young Kim is a professor of theater and East Asian studies at the University of California, Santa Barbara. Her book Illusive Utopia addresses North Korean state propaganda and rituals, and she is the coauthor of Long Road Home, which documents the oral history of a North Korean labor camp survivor"--Provided by publisherThe Korean demilitarized zone might be among the most heavily guarded places on earth, but it also provides passage for thousands of defectors, spies, political emissaries, war prisoners, activists, tourists, and others testing the limits of Korean division. This book focuses on a diverse selection of inter-Korean border crossers and the citizenship they acquire based on emotional affiliation rather than constitutional delineation. Using their physical bodies and emotions as optimal frontiers, these individuals resist the state's right to draw geopolitical borders and define their national identity. Drawing on sources that range from North Korean documentary films, museum exhibitions, and theater productions to protester perspectives and interviews with South Korean officials and activists, this volume recasts the history of Korean division and draws a much more nuanced portrait of the region's Cold War legacies. The book ultimately helps readers conceive of the DMZ as a dynamic summation of personalized experiences rather than as a fixed site of historical significance.

    Online EBSCO Academic Comprehensive Collection

  3. Illusive utopia : theater, film, and everyday performance in North Korea

    Kim, Suk-Young, 1970-
    Ann Arbor : University of Michigan Press, c2010.

    This is a rare glimpse into North Korean propaganda - in parades, posters, murals, theater, and films. No nation stages massive parades and collective performances better than North Korea. Amid a series of intense political/economic crises and international conflicts, North Korea has continued to sponsor unflinching displays of patriotism, glorifying its leaders and revolutionary history through state rituals that can involve hundreds of thousands of performers. "Illusive Utopia" explores how state-sponsored propaganda performances - including public spectacles, theater, film, and other visual media including posters - shape everyday practice in a country where the performing arts are not only a means of entertainment but also a forceful institution used to regulate, educate, and mobilize people. "Illusive Utopia" examines sixty years of propaganda performances and how they have intersected with everyday practices such as education, the mobilization of labor, the gendering of social interactions, the organization of national space, tourism, and transnational human rights. It is the first English-language study of visual culture and performing arts as they relate to the formation of North Korean national identity.

    Online EBSCO University Press

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