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The Scottish book trade, 1500-1720 : print commerce and print control in early modern Scotland : an historiographical survey of the early modern book in Scotland

This volume examines the Scottish book trade from c.1500 to c.1720, looking at booksellers, bookbinders, stationers and printers and their relationship to the forces of authority. The scale of the Scottish book trade in this period was surprisingly large, consisting of over 150 printers and over 400 booksellers, but its rate of growth was not constant as it was buffeted by the winds of economic and political circumstances. It is the public, not private world of book dissemination that is examined. Emphsis is placed more on supply than on demand. It is shown that the unique qualities of the printed book, with its blend of commerce and technology on the one hand, and intellect and ideology on the other, ensured that authority - burghs, church, governemt (crown and executive) and law courts - reacted with a complex response of liberty and prohibition. So it was for all nations experiencing the arrival of printing, but Scotland had its own particular range of dynamics, a distinct Scottish tradition.

James VII : Duke and King of Scots

James VII and II is one of the least studied monarchs of Scotland, and has previously mostly been studied from an English perspective or as the muddled victim of the revolution of 1688/9 which delivered for Britain much-vaunted political emancipation. This book provides the first complete portrait of James as a Stewart prince of Scotland, as duke of Albany and King of Scots. It re-evaluates the traditional views of James as a Catholic extremist and absolutist who failed through incompetence, and challenges preconceptions based on strong views of his failings, both in popular belief and serious history. Investigating the personality and motives of the man, this biography assesses James as commander, as Christian and as king, but also as family man and Restoration libertine - a prince of his time. Painting a picture of James from cradle to grave, from childhood to resigned exile, it brings him to life within his Scottish context and as a member of the royal line of Scotland. The journey from dashing young cavalry commander to pious prince in exile appears oddly incongruous given the political and personal trials that lay between. That journey was much more of Scotland than previous studies have suggested - indeed, James was in many ways the last King of Scots.

Privilege and Property : Essays on the History of Copyright

What can and can’t be copied is a matter of law, but also of aesthetics, culture, and economics. The act of copying, and the creation and transaction of rights relating to it, evokes fundamental notions of communication and censorship, of authorship and ownership - of privilege and property. This volume conceives a new history of copyright law that has its roots in a wide range of norms and practices. The essays reach back to the very material world of craftsmanship and mechanical inventions of Renaissance Italy where, in 1469, the German master printer Johannes of Speyer obtained a five-year exclusive privilege to print in Venice and its dominions. Along the intellectual journey that follows, we encounter John Milton who, in his 1644 Areopagitica speech ‘For the Liberty of Unlicensed Printing’, accuses the English parliament of having been deceived by the ‘fraud of some old patentees and monopolizers in the trade of bookselling’ (i.e. the London Stationers’ Company). Later revisionary essays investigate the regulation of the printing press in the North American colonies as a provincial and somewhat crude version of European precedents, and how, in the revolutionary France of 1789, the subtle balance that the royal decrees had established between the interests of the author, the bookseller, and the public, was shattered by the abolition of the privilege system. Contributions also address the specific evolution of rights associated with the visual and performing arts. These essays provide essential reading for anybody interested in copyright, intellectual history and current public policy choices in intellectual property. The volume is a companion to the digital archive Primary Sources on Copyright (1450-1900), funded by the UK Arts and Humanities Research Council (AHRC): www.copyrighthistory.org . As with all Open Book Publications the entire work is available free to read online, while printable digital editions of the volume together with additional resources can…

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