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  1. Yŏnghwa wa kŭndaehwa : yŏnghwa ro ponŭn Han'guk ŭi kŭndaehwa

    Ch'op'an. 초판. - Sŏul-si : Han'guk Yŏngsang Charyowŏn, 2015. 서울시 : 한국 영상 자료원, 2015.

  2. Anaedŭl ŭi haengjin

    [Seoul] : Korean Film Archive, 2015.

    Parade of wives: "A newlywed wife, Ji-sun moves to her husband's village in a rural area called Sambatgol where it is customary to have glossy charades, incompetence is prolific, and thus poverty is endemic. She starts to endeavor to break down all these vices. Her family and neighbors point accusing fingers at her first, but soon they are influenced by her to combine forces with her. In the meantime, longtime absent father of Gang-du returns to his wife, who is Ji-sun's strong supporter and the chairperson of village women's association. Gang-du's father, however, turns out to be an espionage agent sent from North Korea. He makes his mind up to denounce himself by persuasion of his wife, but he and his wife get killed by other espionage agents. At the funeral of these two, Ji-sun and the village people march in resolution of succeeding her will to make more endeavors in the developmental plan of the village."--Container."Modernization has been an important subject for Korea in the last century. Modernization was exchangeable with economic development and industrialization, and people took part on the road to achieve the so-called "Miracle on the Han River." Consequently, Korea was accredited as one of the rare countries that accomplished rapid economic growth. The shadow, however, was cast deeply along with the fast track of the development, and Korean society is now facing all problems great and small. It is meaningful to look back at the process of Korean modernization and to view various aspects of the modern represented in the films. These endeavors bring us beyond the mere appreciation of the past in a retrospective fashion and provide us a chance to make a rendezvous of the past with the present and that of the present with the past. The films selected from each period reveal the problems, values, and subconsciousness of the time, and they function as referential frameworks for each other, which bring you the joy of new discoveries."--Commentary book.

  3. P'alto gangsan

    [Seoul] : Korean Film Archive, 2015.

    Six daughters: "An elderly couple of Kim Hie-gab and Hwang Jeong-sun, who has six daughters and one son, commences a nationwide journey through every inch of the country to see six daughters living in every region. They visit their daughters and sons-in-law living in Cheongju, Buan, Busan, Ulsan, and Sokcho, and meet their youngest daughter and would-be son-in-law, a cyclist, while visiting their son on military service in Gangwon Province. This elderly couple witnesses the sights of the modernization of their homeland in which their sons-in-law are serving, and feels gratified with the direct/indirect participation of their children and sons-in-law in the process of modernization."--Container."Modernization has been an important subject for Korea in the last century. Modernization was exchangeable with economic development and industrialization, and people took part on the road to achieve the so-called "Miracle on the Han River." Consequently, Korea was accredited as one of the rare countries that accomplished rapid economic growth. The shadow, however, was cast deeply along with the fast track of the development, and Korean society is now facing all problems great and small. It is meaningful to look back at the process of Korean modernization and to view various aspects of the modern represented in the films. These endeavors bring us beyond the mere appreciation of the past in a retrospective fashion and provide us a chance to make a rendezvous of the past with the present and that of the present with the past. The films selected from each period reveal the problems, values, and subconsciousness of the time, and they function as referential frameworks for each other, which bring you the joy of new discoveries."--Commentary book.

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