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Murderess: a study of the women executed in Britain since 1843

Twisting in the wind : the murderess and the English press

Women accused of murder in nineteenth-century England got bad press. Broadsides, newspapers, and books depicted their stories in gruesome detail, often with illustrations of the crime scene, the courtroom proceedings, and the execution. This sensational coverage fed the public appetite for stories of female deviancy and punishment.Judith Knelman contends that the portrayal of murder by women was linked to a broader public agenda, set and controlled by men. Women were expected to be devoted to giving and sustaining life. Aggression was "masculine." Thus a woman who killed posed a threat to patriarchal authority. Knelman describes the range and incidence of murder by women in England. She analyses case histories of different kinds of murder, and explores how press representations of the murderess contributed to the Victorian construction of femininity. She also suggests that class and gender discrimination pushed women to kill.Twisting in the Wind is a comprehensive and balanced account that will appeal to true crime fans, sociologists, criminologists, historians, and researchers in women's studies.

Gender, truth and state power : capitalising on punishment

This book is concerned with critically analysing the importance of the status of knowledge in establishing 'truth' about female defendants convicted of murder during the 20th Century. While the abolition of the death penalty in the UK has insured that the impact of this knowledge is no longer one of life and death, modern cases such as that of Sally Clark, whose guilty verdict was eventually overturned, nevertheless demonstrate the devastating impact that those with the power to define the 'truth' still have on the lives of individuals who are unable to construct a dominant truth of their own during their trials. Using the key themes of truth, gender and power, the book also focuses on agency and rationality in relation to female criminality, masculinity and miscarriages of justice. Challenging official discourse which historically has incorporated entrenched constructions of women who kill as mad, bad or tragic victims, this book argues for the creation of new subject positions and alternative discourses within which female violence can be understood.

Embodied Knowledge: Women and Science Before Silicon Valley