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  1. Music and law

    First edition. - United Kingdom : Emerald, 2013.

    This volume deals with various social-science perspectives on law and legal control pertaining to music in a variety of contexts. Under influence of important recent social developments, especially in the realm of communications technology, the world of music has been changing very rapidly and profoundly these past decades. As a result, the world of music, especially popular music, has been subject to a range of new legal issues. This volume brings together some 15 scholars to contribute their respective chapters on the socio-legal aspects involved in music as a social reality. The chapters address various pertinent questions from the perspective of socio-legal studies, sociology of law, jurisprudence, and related social and behavioral sciences. The issues addressed can range from matters of formal law and legislation to law-related behavior, deviance, and informal normative structures and processes that have a relevance to music, whether in a contemporary or historical setting. Thematically diverse within the province of the social and behavioral sciences related to law, the chapters in this volume are not restricted in terms of theoretical approach and methodological orientation.

  2. Music business : infrastructure, practice and law

    Parker, Nigel
    London : Sweet & Maxwell, 2004.

    The music business confronts the daunting practical problems not only of creating music and delivering it to its many audiences, but of ensuring that hundreds of thousands of creators and contributors are fairly rewarded. It's small wonder that the music business can appear complex to outsiders. Music Business offers an insider's guide to the infrastructure, practice and law of the music business. Unusually among books on this topic, it examines comprehensively the structure and evolution of the music business before going on to consider the legal principles of copyright and contract which underpin the music business. Wherever possible, the book adopts an international approach, with particular emphasis on the UK and USA. Anyone with a serious professional interest in the music business will find Music Business indispensable. This includes creators, managers, executives, investors, bankers, accountants, politicians, journalists, civil servants, students, and commercial users of music in addition to lawyers working in the field of media and entertainment.

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