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  1. Literature and the politics of the family in seventeenth-century England

    Ng, Su Fang
    Cambridge, UK : Cambridge University Press, 2007.

    An insightful study of how metaphors of the family were used in seventeenth-century literary and political rhetoric.

    Online EBSCO Academic Comprehensive Collection

  2. England's Asian Renaissance [electronic resource].

    Ng, Su Fang
    New Brunswick : University of Delaware Press, 2021.

    England's Asian Renaissance explores how Asian knowledges, narratives, and customs inflected early modern English literature. Just as Asian imports changed England's tastes and enriched the English language, Eastern themes, characters, and motifs helped shape the country's culture and contributed to its national identity. Questioning long-standing dichotomies between East and West and embracing a capacious understanding of translatio as geographic movement, linguistic transformation, and cultural grafting, the collection gives pride of place to convergence, approximation, and hybridity, thus underscoring the radical mobility of early modern culture. In so doing, England's Asian Renaissance also moves away from entrenched narratives of Western cultural sovereignty to think anew England's debts to Asia.

    Online EBSCO Academic Comprehensive Collection

  3. Alexander the great from Britain to Southeast Asia : peripheral empires in the global renaissance

    Ng, Su Fang
    First edition. - Oxford : Oxford University Press, 2019.

    No figure has had a more global impact than Alexander the Great, whose legends have encircled the globe and been translated into a dizzying multitude of languages, from Indo-European and Semitic to Turkic and Austronesian. Alexander the Great from Britain to Southeast Asia examines parallel traditions of the Alexander Romance in Britain and Southeast Asia, demonstrating how rival Alexanders - one Christian, the other Islamic - became central figures in their respective literatures. In the early modern age of exploration, both Britain and Southeast Asia turned to literary imitations of Alexander to imagine their own empires and international relations, defining themselves as peripheries against the Ottoman Empire's imperial center: this shared classical inheritance became part of an intensifying cross-cultural engagement in the encounter between the two, allowing a revealing examination of their cultural convergences and imperial rivalries and a remapping of the global literary networks of the early modern world. Rather than absolute alterity or strangeness, the narrative of these parallel traditions is one of contact - familiarity and proximity, unexpected affinity and intimate strangers.

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