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Burning down George Orwell's house : a novel
Ervin, AndrewNew York, NY : Soho, [2015]"Ray Welter, who was until recently a high-flying advertising executive in Chicago, has left the world of newspeak behind. He decamps to the isolated Scottish Isle of Jura in order to spend a few months in the cottage where George Orwell wrote most of his seminal novel, Nineteen Eighty-Four. Ray is miserable, and quite prepared to make his troubles go away with the help of copious quantities of excellent scotch. But a few of the local islanders take a decidedly shallow view of a foreigner coming to visit in order to sort himself out, and Ray quickly finds himself having to deal with not only his own issues but also a community whose eccentricities are at times amusing and at others downright dangerous. Also, the locals believe or claim to believe that there's a werewolf about, and against his better judgment, Ray's misadventures build to the night of a traditional, boozy werewolf hunt on the Isle of Jura on the summer solstice"--
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G.K. Chesterton's Literary Influence on George Orwell : a Surprising Irony
Seaber, LukeLewiston : Edwin Mellen Press, 2011.Luke Seaber is the first author to study the influence of G.K. Chesterton on George Orwell. The book analyzes how Chesteron influenced Orwell's novels and how Orwell misrepresented Chesterton because he was embarrassed by this fact. Seaber takes the Orwell-Chesterton relationship one step further by looking at the similarities found within each author's use political language, war-time propaganda, and the symbolism of Dickens. However, Seaber concludes by taking a different direction. Rather than solely illustrating their similarities, Seaber juxtaposes Orwell and Chesterton's literary techniq.This is the first literary analysis of the surprising influence of Chesterton's writings on the literary style of Orwell. Luke Seaber is the first author to study the influence of G.K. Chesterton on George Orwell. The book analyzes how Chesteron influenced Orwell's novels and how Orwell misrepresented Chesterton because he was embarrassed by this fact. Seaber takes the Orwell-Chesterton relationship one step further by looking at the similarities found within each author's use political language, war-time propaganda, and the symbolism of Dickens. However, Seaber concludes by taking a different direction. Rather than solely illustrating their similarities, Seaber juxtaposes Orwell and Chesterton's literary technique to show where both men differed in their world view. Original and thorough, this book will appeal to those interested in Orwell and Chesterton alike.
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