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  1. Global anglophone poetry : literary form and social critique in Walcott, Muldoon, de Kok, and Nagra

    Hena, Omaar, 1976-
    New York : Palgrave Macmillan, 2015.

    "Engaging key debates in world literature, Omaar Hena examines how prominent poets renovate the long poetic tradition, from Homer to Seamus Heaney, to engage local, political realities and the sweeping pressures of globalization. The formal resources of poetry, for Hena, furnish the aesthetic means for critiquing urgent social inequalities facing the postcolonial world and minorities in the Global North. At the same time, he demonstrates how it is by virtue of working within canonical forms that world poets gain international recognition and prestige. Looking to writers as diverse Derek Walcott, Paul Muldoon, Ingrid de Kok, and Daljit Nagra and others, Hena combines a close attention to the nuances of literary form with an analysis of the national contexts and the wider divisions of the global literary marketplace shaping contemporary poetic production. Ultimately, this book renews the relevance of poetry to create more robust models of worldly belonging suited to the complexities of our new, and historically familiar, global realities"--Engaging key debates in world literature, Global Anglophone Poetry examines how prominent poets renovate the long poetic tradition to engage local, political crises, and the sweeping pressures of globalization. Omaar Hena argues that the formal resources of poetry furnish the aesthetic means for critiquing urgent social inequalities facing the postcolonial world and minorities in the Global North. At the same time, he demonstrates how it is by virtue of working within canonical forms that world poets gain international recognition and prestige. Looking to writers as diverse as Derek Walcott, Paul Muldoon, Ingrid de Kok, and Daljit Nagra and others, Hena combines a close attention to the nuances of literary form with an analysis of the national contexts and the wider divisions of the global literary marketplace shaping contemporary poetic production. Ultimately, this book renews the relevance of poetry to create more robust models of worldly belonging suited to the complexities of our new, and historically familiar, global realities.

  2. Verse v. prose

    Richards, I. A. (Ivor Armstrong), 1893-1979
    London : English Association, 1978.

  3. The making of a poem : a Norton anthology of poetic forms

    1st ed. - New York : W.W. Norton, c2000.

    The anthology uses example and explanation to demonstrate the excitement and entertainment of various poetic forms, including the sonnet, the ode, the elegy and the pastoral. Included are essays by the editors describing their own personal journeys to a form for their poetic voice. Above all this anthology shows that poetic form is a continuing adventure. Poetic form is illustrated not as a series of rules but as a passionate conversation in which every reader can become involved.

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