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Making the world over : confronting racism, misogyny, and xenophobia in U.S. history
Griffith, R. Marie (Ruth Marie), 1967-Charlottesville : University of Virginia Press, 2021."Making the World Over examines the histories behind the issues at the root of our nation's conflicts both past and present, from race and immigration to misogyny and reproductive rights, in an attempt to encourage constructive dialogue"--Political polarization and unrest are not exclusive to our era, but in the twenty-first century, we are living with seemingly unresolvable disagreements that threaten to tear our country apart. Discrimination, racism, tyranny, religious fundamentalism, political schisms, misogyny, ""fake news, "" border walls, the #MeToo moment, foreign intervention in our electoral process - these cultural and social rifts charge our world, and we have failed to find a path toward agreement or unity.As Much Truth as One Can Bear is Marie Griffith's thoughtful response to an imperiled nation that has forgotten how to listen and debate productively, at a time when it needs vigorous discourse more than ever. Griffith performs the urgent work of examining the histories behind the issues at the root of our country's conflicts both past and present, from race and immigration to misogyny and reproductive rights. This is more than a study of the issues; it is an attempt to shed real light on how to encourage constructive dialogue and move society forward.
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Race and racism in modern East Asia : western and eastern constructions
Leiden ; Boston : Brill, 2012.Race and Racism in Modern East Asia juxtaposes Western racial constructions of East Asians with constructions of race and their outcomes in modern East Asia. It is the first endeavor to explicitly and coherently link constructions of race and racism in both regions. These constructions have not only played a decisive role in shaping the relations between the West and East Asia since the mid nineteenth century, but also exert substantial influence on current relations and mutual images in both the East-West nexus and East Asia. Written by some of the field's leading authorities, this groundbreaking 21-chapter volume offers an analysis of these constructions, their evolution and their interrelations.A sequel to the groundbreaking volume, Race and Racism in Modern East Asia: Western and Eastern Constructions, the present volume examines in depth interactions between Western racial constructions of East Asians and local constructions of race and their outcomes in modern times. Focusing on China, Japan and the two Koreas, it also analyzes the close ties between race, racism and nationalism, as well as the links race has had with gender and lineage in the region. Written by some of the field's leading authorities, this insightful and engaging 23-chapter volume offers a sweeping overview and analysis of racial constructions and racism in modern and contemporary East Asia that is unsurpassed in previous scholarship. This book is also available in hardback.Race and Racism in Modern East Asia juxtaposes Western racial constructions of East Asians with constructions of race and their outcomes in modern East Asia. It is the first endeavor to explicitly and coherently link constructions of race and racism in both regions. These constructions have not only played a decisive role in shaping the relations between the West and East Asia since the mid nineteenth century, but also exert substantial influence on current relations and mutual images in both the East-West nexus and East Asia. Written by some of the field's leading authorities, this groundbreaking 21-chapter volume offers an analysis of these constructions, their evolution and their interrelations.
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Desegregating the past : the public life of memory in the United States and South Africa
Autry, Robyn K.New York : Columbia University Press, [2017]"At the Apartheid Museum in Johannesburg, South Africa, visitors confront the past upon arrival. They must decide whether to enter the museum through a door marked 'whites' or another marked 'non-whites.' Inside, along with text, they encounter hanging nooses and other reminders of apartheid-era atrocities. In the United States, museum exhibitions about racial violence and segregation are mostly confined to black history museums, with national history museums sidelining such difficult material. Even the Smithsonian's National Museum of African American History and Culture is dedicated not to violent histories of racial domination but to a more generalized narrative about black identity and culture. The scale at which violent racial pasts have been incorporated into South African national historical narratives is lacking in the U.S. 'Desegregating the Past' considers why this is the case, tracking the production and display of historical representations of racial pasts at museums in both countries and what it reveals about underlying social anxieties, unsettled emotions, and aspirations surrounding contemporary social fault lines around race. Robyn Autry consults museum archives, conducts interviews with staff, and recounts the public and private battles fought over the creation and content of history museums. Despite vast differences in the development of South African and U.S. society, Autry finds a common set of ideological, political, economic, and institutional dilemmas arising out of the selective reconstruction of the past. Museums have played a major role in shaping public memory, at times recognizing and at other times blurring the ongoing influence of historical crimes. The narratives museums produce to engage with difficult, violent histories expose present anxieties concerning identity, (mis)recognition, and ongoing conflict."--JSTOR website (viewed February 24, 2017)At the Apartheid Museum in Johannesburg, South Africa, visitors confront the past upon arrival. They must decide whether to enter the museum through a door marked "whites" or another marked "non-whites." Inside, along with text, they encounter hanging nooses and other reminders of apartheid-era atrocities. In the United States, museum exhibitions about racial violence and segregation are mostly confined to black history museums, with national history museums sidelining such difficult material. Even the Smithsonian's National Museum of African American History and Culture is dedicated not to violent histories of racial domination but to a more generalized narrative about black identity and culture. The scale at which violent racial pasts have been incorporated into South African national historical narratives is lacking in the U.S. Desegregating the Past considers why this is the case, tracking the production and display of historical representations of racial pasts at museums in both countries and what it reveals about underlying social anxieties, unsettled emotions, and aspirations surrounding contemporary social fault lines around race. Robyn Autry consults museum archives, conducts interviews with staff, and recounts the public and private battles fought over the creation and content of history museums. Despite vast differences in the development of South African and U.S. society, Autry finds a common set of ideological, political, economic, and institutional dilemmas arising out of the selective reconstruction of the past. Museums have played a major role in shaping public memory, at times recognizing and at other times blurring the ongoing influence of historical crimes. The narratives museums produce to engage with difficult, violent histories expose present anxieties concerning identity, (mis)recognition, and ongoing conflict.
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