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Zhong Mei qing jing xi ju xi ju xing bi jiao yan jiu

The greatest sitcoms of all time

In this book the author has assembled the top seventy sitcoms in television history. The rankings are based on such factors as longevity, ratings, awards, humor, impact, and legacy.Since the advent of network television, situation comedies have been a staple of prime-time programming. In this book, Martin Gitlin has assembled the top 70 sitcoms in television history. The rankings were based on such factors as longevity, ratings, awards, humor, impact, and legacy. Iconic programs such as I Love Lucy, The Dick Van Dyke Show, and Leave it to Beaver join contemporary shows The Simpsons, Arrested Development, and Family Guy on the list. Each entry contains a comprehensive compilation of information, including cast members, a list of characters, air dates, ratings, notable episodes, awards, and more. Sure to inspire debate, The Greatest Sitcoms of All Time is the first book to rank the best sitcoms in television history.

The sitcom

Even though sitcom has been a consistent staple of broadcasting the world over, rigorous academic work on it as a genre remains limited. This book examines sitcom as an industry in terms of production, audiences and texts, drawing on a range of examples and case studies in order to examine the genre's characteristics, social position, and pleasures. In highlighting this long-lasting and popular form of television, it offers insights into genre theory and explores how the comic aim of sitcom forms a central characteristic of the genre. Brett Mills takes a global view of sitcom, examining international examples as well as those produced by the more dominant British and American broadcasting industries, in order to explore the relationships between sitcom, nation, and identity. Sitcoms considered include Extras, My Family, Curb Your Enthusiasm, One Foot in the Grave, Peep Show, Summer Heights High, Popetown, and Friends. Key Features *Draws on original research into the television industry, incorporating interviews with sitcom writers, directors and producers *Includes research on audience responses to sitcom, with reference to offence, pleasure, and social change *Offers detailed textual analyses of a range of programmes, drawing on Humour Theory to explore the ways in which jokes and comic moments work *Outlines the future for sitcom, considering new media developments and the changing relationships between broadcasters and audiences.

Online EBSCO University Press