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  1. Greek tragedy : themes and contexts

    Swift, Laura, 1979-
    London, UK ; New York, NY, USA : Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, 2016.

    The latest volume in the Classical World series, this book offers a much-needed up-to-date introduction to Greek tragedy, and covers the most important thematic topics studied at school or university level. After a brief analysis of the genre and main figures, it focuses on the broader questions of what defines tragedy, what its particular preoccupations are, and what makes these texts so widely studied and performed more than 2,000 years after they were written. As such, the book will be of interest to students taking broad courses on Greek tragedy, while also being suitable for the general reader who wants an overview of the subject. All passages of tragedy discussed are translated by the author and supplementary information includes a chronology of all the surviving tragedies, a glossary, and guidance on further reading.

  2. Euripides : Ion

    Swift, Laura, 1979-
    London : Duckworth, 2008.

    "Euripides' Ion" is the story of a young man's search for his identity, and a woman's attempt to come to terms with her past. Through the story of a divine rape and its consequences, it asks questions about the justice of the gods and the nature of parenthood, encouraging its audience to consider contemporary concerns through the filter of traditional myth. This detailed study outlines the pre-history and later reception of the Ion myth, and provides a literary interpretation of the play's main themes, aiming to combine analysis of the text with a consideration of its cultural contexts. Chapters on religion, family, and national identity investigate how Euripides handles these issues in the light of the values of his day, and a chapter on genre discusses the play's upbeat ending and explores how we should define tragedy.

  3. The hidden chorus : echoes of genre in tragic lyric

    Swift, Laura, 1979-
    Oxford ; New York : Oxford University Press, 2010.

    The Hidden Chorus investigates the relationship between the chorus of Greek tragedy and other types of choral song in Greek society. Choruses performed on a range of occasions in Greek culture, ranging from private weddings and funerals to large-scale religious festivals, yet the relationship between these everyday or 'ritual' choruses and the choruses of tragedy has never been systematically examined. L. A. Swift discusses choruses from five ritual genres: paian (religious songs of celebration or healing), epinikion (songs for athletic victors), partheneia (songs for the transitions of young girls), hymenaios (wedding song), and threnos (funerary song), and explores how these choral forms are evoked in tragedy. By examining the relationship between tragic and non-tragic choral song, she not only provides new insights into individual plays, but also enriches our understanding of the role poetry and song played in Greek life.

    Online Oxford Scholarship Online

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