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  1. Whispering hope : the true story of the Magdalene women

    Costello, Nancy
    London : Orion, an imprint of the Orion Publishing Group Ltd, 2015.

    "At the conclusion of my discussions with one group of the Magdalene Women one of those present sang 'Whispering Hope'. A line from that song stays in my mind - 'when the dark midnight is over, watch for the breaking of day'. Let me hope that this day and this debate heralds a new dawn for all those who feared that the dark midnight might never end." - Taoiseach Enda Kenny's State apology to the Magdalene women. On 19 February 2013 the Irish Taoiseach Edna Kenny apologized to the women who had been incarcerated in Ireland's Magdalene laundries. In the audience sat Steven O'Riordan, a documentary filmmaker and founder of the Magdalene Survivors Together group. And by his side, waiting patiently for the words they'd been fighting to hear, were some of the women he had helped. For Nancy, Kathleen, Diane, Marie and Marina were confined in Magdalene laundries throughout Ireland during the 1950s, 60s and 70s. The harrowing physical and psychological abuse they endured in the institutions, run on behalf of the State, led to a lifetime of shame and secrecy. Now, in WHISPERING HOPE, these women tell their stories for the first time. Their fight for justice and forged friendships has enabled them to move forward and have their voices heard, their individual accounts weaving together in an immensely powerful narrative that shines a light on a dark chapter in Ireland's history. Inspirational and moving, this is the story of five women brave enough to confront their past and strong enough to not let it define them.

  2. Experience, identity & epistemic injustice within Ireland's Magdalene laundries

    Gott, Chloe K.
    London ; New York, NY : Bloomsbury Academic, 2022

    Online Bloomsbury

  3. Ireland's Magdalen laundries and the nation's architecture of containment

    Smith, James M., 1966-
    Notre Dame, Ind. : University of Notre Dame Press, c2007.

    The Magdalen laundries were workhouses in which many Irish women and girls were effectively imprisoned because they were perceived to be a threat to the moral fiber of society. Mandated by the Irish state beginning in the eighteenth century, they were operated by various orders of the Catholic Church until the last laundry closed in 1996. A few years earlier, in 1993, an order of nuns in Dublin sold part of their Magdalen convent to a real estate developer. The remains of 155 inmates, buried in unmarked graves on the property, were exhumed, cremated, and buried elsewhere in a mass grave. This triggered a public scandal in Ireland and since then the Magdalen laundries have become an important issue in Irish culture, especially with the 2002 release of the film "The Magdalene Sisters." Focusing on the ten Catholic Magdalen laundries operating between 1922 and 1996, "Ireland's Magdalen Laundries and the Nation's Architecture of Containment" offers the first history of women entering these institutions in the twentieth century. Because the religious orders have not opened their archival records, Smith argues that Ireland's Magdalen institutions continue to exist in the public mind primarily at the level of story (cultural representation and survivor testimony) rather than history (archival history and documentation). Addressed to academic and general readers alike, James M. Smith's book accomplishes three primary objectives. First, it connects what history we have of the Magdalen laundries to Ireland's "architecture of containment" that made undesirable segments of the female population such as illegitimate children, single mothers, and sexually promiscuous women literally invisible. Second, it critically evaluates cultural representations in drama and visual art of the laundries that have, over the past fifteen years, brought them significant attention in Irish culture. Finally, Smith challenges the nation - church, state, and society - to acknowledge its complicity in Ireland's Magdalen scandal and to offer redress for victims and survivors alike.

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