The Archive of Recorded Sound is pleased to announce the acquisition and recently completed processing of the Art Vincent Jazz Collection. The collection features over 800 hours of interviews, broadcasts, and call-in segments primarily created for the radio program Art of Jazz, produced and presented by Art Vincent (1926-1993), Jazz DJ and concert producer. The show aired on radio stations in the New York Metropolitan area between 1961 and the mid 1980s, including WFHA, WJLK, WRLB, and WGBO. In addition to some live concert recordings, the show notably featured interviews with major figures in the jazz world, such as Stan Kenton, Count Basie, Buddy DeFranco, Trini Lopez, Woody Herman, Ray Charles, Frank Sinatra, Lou Rawls, Roy Eldridge, Skitch Henderson, Art Farmer, Duke Ellington, Teddy Wilson, Stan Getz, Louis Armstrong, Gerry Mulligan, Dave Brubeck, Benny Goodman, Stephane Grappelli, Dizzy Gillespie, and many others.
A copy of the Sherman & Hyde Musical Review (San Francisco, 1874) came across my desk and I happened upon this "artikel" written in tongue-and-cheek defense of the shape-note singing technique (aka, "skuare notes"), which was apparently looked down on by 'properly trained' musicians--"Round Heds", who read music with the standard round-head notation. The Music Library has a number of of shape-note singing primers, which were the subject of a 2012 exhibit on Early American Tune Books. Several titles have been digitized; see The Easy Instructor for examples of shape-note notation.
A delineation of the strata of England and Wales, with part of Scotland; exhibiting the collieries and mines, the marshes and fen lands originally overflowed by the sea, and the varieties of soil according to the variations in the substrata, illustrated by the most descriptive names…
William Smith, 1815
On Display at the Branner Earth Sciences Library, March 26 to April 2, 2015
This map is so large, that only a fifth of the map fit into our display case!
Also known as the William Smith Map, the map is a monumental achievement by a man who personally collected the information over 15 years and created the first national map of geology, featuring England, Wales and part of Scotland. While the exact number of copies printed is of some debate, evidence suggests that there were no more than 300 such issued, of which only 70 exist today. The 1815 map (there was also an 1829 version) came in five variations, designated as 34, 100, A, P and Y. Stanford owns two copies of the map and the one you see in the case is designated as 34 and comes in 15 segments--the display includes 3 of these segments as shown in the image above. This map was scanned at Stanford University Libraries in 2014; the British Geological Society took the digital copy and georeferenced it. The digital copy was then unveiled as part of The British Geological Society’s bicentennial celebration of this map on March 23, 2015.
In further celebration of the map, the library is co-hosting with the School of Earth, Energy & Environmental Sciences, "The William Smith Map at Stanford," where the entire map will be displayed, along with talks on its relevance to the current day mapping and how the map was digitized here. More on that event here.
This exhibit is part of the anniversary celebration commemorating the 100th year since the founding of the Branner Earth Sciences Library & Map Collections (June 14, 1915- June 14, 2015).
Counting down to the anniversary on June 14, each week, for the next 100 days we will be exhibiting items from our collection and archive. This exhibition is part of an ongoing series of anniversary events that culminate with a public celebration, speakers and curator’s tour of the library on Thursday, June 11, 2015. Please be sure to join us!
The Music Library acquired a facsimile edition of the Ferrell-Vogüé Machaut manuscript (MS Vg), published by DIAMM Facsimiles, in 2 volumes. The introduction includes an extensive study by Lawrence Earp which reveals new information about the provenance of the book and the identity of its original owner, the Duc du Berry. Domenic Leo provides an “Art-historical commentary,” and Carla Shapreau a chapter on “The plunder and restitution of Vg: the Nazi era and its aftermath, 1940-49.” Christopher de Hamel discusses the recent history of the book in the Foreward. The facsimile is kept in the Locked Stacks in the Music Library and may be used in the library.
A few weeks ago, Jerry McBride, Mimi Tashiro, Jon Manton, Casey Mullin (our musical colleague in Lathrop Library) and I traveled to the Mile High City of Denver Colorado for the 84th annual meeting of the Music Library Association. We were greeted by a swirling snowstorm and single-digit temperatures: novel to us, not so much for the East Coast attendees!
Branner Libary Centennial June 14, 1915 – June 14, 2015
Join us in celebrating the milestone of 100 years of collaboration, education, and experience at the Branner Earth Sciences Library & Map Collection.
We'll be hosting a series of anniversary events over the next 100 days that will culminate on Thursday, June 11, 2015, with a public celebration, speakers, and a curator's tour of the library. In addition, each week between now and the anniversary on June 14, 2015, we'll be exhibiting items from our collection and archive. You can see these items on display in the Branner Library exhibit case on the 2nd floor of the Mitchell Earth Sciences Building. Check below for more information about this week's exhibit and upcoming Branner 100 events.
The Writings of John Casper Branner, Stanford’s Second President
This exhibition commemorates the 100th anniversary of the University's purchase of John Casper Branner’s personal geological library, the foundation for the current Branner Earth Sciences Library.
|A prolific writer, Branner published over 400 articles and books during his lifetime, many of which are kept at Branner Library. A sampling of his writing is included in the exhibit, including resources written about the clays of Arkansas while he was State Geologist of Arkansas.|
The Stanford University Libraries are hosting a one-year trial of Overleaf Pro for those who use LaTex for writing articles or dissertations and for those working on collaborative projects. We would like your feedback on the Overleaf trial. Are you using Overleaf? Do you have suggestions for the Overleaf development team? Use this link to provide your comments.
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