Yesterday the U.S. Senate Select Committee on Intelligence released its "Study of the CIA's Detention and Interrogation Program - Foreword, Findings, and Conclusions, and Executive Summary." (BIG PDF!) The report is 525 pages, heavily redacted, and includes graphic details about the torture techniques used by the CIA. The study found that American torture was not confined to a handful of aberrational cases or techniques, nor was it the work of rogue CIA agents. It was an officially sanctioned, worldwide (over 1/4 of the world's countries participated in some way!) regime of torture that had the acquiescence, if not explicit approval, of the top members of both political parties in Congress.
Dr. Haydn's VI original canzonettas for the voice with an accompaniment for the Piano-Forte : dedicated to Mrs. John Hunter. London : Printed for the Author, & Sold by him at No. 1, Bury Street, St. James - at Messrs. Corri, Dussek & Co. Music Sellers to her Majesty, No. 7 Dean Street, Soho & Bridge Street, Edinburgh, [1794-1795]
Second sett of Dr. Haydn's VI original canzonettas : for the voice with an accompaniment for the piano forte / dedicated to the Right Honble. Lady Charlotte Bertie. London : Printed & sold for Messrs. Corri, Dussek & Co., [1795?]
What a time Haydn must have had during his London stays in the early 1790s! Already hailed as a great composer, and preceded by the performance and publication of numerous successful works including symphonies, string quartets, and works for keyboard, he was eagerly embraced by London society.
As reported in the Lady’s Magazine, January 1791:
“A remarkable circumstance happened this evening, in the ball-room at St. James's. Haydn, the celebrated composer, though he has not yet been introduced at our court, was recognised by all the royal family, and paid them his silent respects. Mr. Haydn came into the room with sir John Gallini, Mr. Wills, and Mr. Salomon. The prince of Wales first observed him, and upon bowing to him, the eyes of all the company were upon Mr. Haydn, every one paying him respect.”
Arianna a Naxos, Hob. XXVIb:2
London, Printed for the author , signed by the composer
Stanford University Libraries, Memorial Library of Music, MLM 489
Arianna a Naxos was first published by Artaria in Vienna in 1790, followed by this London edition printed for Haydn by John Bland and first offered for sale on June 10, 1791. Bland was instrumental in bringing Haydn to London, and provided Haydn’s first lodging there in January 1791. Bland had visited Haydn at Eszterháza. One day during Haydn’s grooming routine, he heard the composer complain about his dull razors. “I’d give my best quartet for a pair of good razors,” he exclaimed, upon which Bland raced back to his room, grabbed his new British razors, and presented them to Haydn. In exchange Bland received the manuscript for the Quartet, op. 55 No.2, the “Razor” Quartet. Or so the story goes. We do know that Bland took away the manuscript for Arianna and a contract to publish Haydn’s flute trios.
Staff at the Archive of Recorded Sound recently came across a particularly unusual item while unboxing and sorting the Denis Condon Collection of Reproducing Pianos and Rolls, part of the recently announced Player Piano Project here at Stanford.
This small roll, just 4.5 inches wide, was found among approximately 7500 of its larger brothers and sisters - the reproducing piano rolls that make up the Condon Collection. Following further research, it was discovered that this roll was designed for a toy, a type of player saxophone called the Playasax, produced by Q.R.S. Q.R.S are in fact the only surviving piano roll company still in existence today.
The new beta platform for the Springer Materials database of fully-evaluated physical property data is now available.
We are pleased to announce the November 2014 digital issue of the Terman Engineering Library News.
In the news this month:
IEEE Smart Grid Research
Lynda.com for Everyone
Need Topic Guides – Just Ask Us
Water in the West – Preserved in SDR
ORCID – Got Yours Yet?
Download and read the full issue in digital format.