This is a guest blog post by Esther Wan, who is working on various projects for Special Collections including the descriptive metadata for the William Carter Photographs. Esther was previously at Stanford News Service Library and has also worked for libraries in Canada, Hong Kong, Shanghai and Singapore. She now enjoys the views of San Francisco from her windows.
Blog topic: Art
Beginning on Dec. 5, the East Asia Library will host "The Japanese Garden: A Historical Account of Japanese Culture and Tradition," an exhibition curated by students in RELIGST 8N: Gardens and Sacred Spaces in Japan, an introductory seminar taught by Prof. Michaela Mross of the Dept. of Religious Studies.
The study of art history involves research in many different subject areas. In the case of someone studying depictions of women in medieval art, databases covering Religious Studies, Medieval Studies, History, Feminist Studies, and Gay, Lesbian and Transgender Studies such as the following provide a wealth of information, in addition to images and access to primary sources, some with translations.
Part One - Regular Staff in Collection Services
The regular staff in the Collection Services arm of the Department of Special Collections & University Archives has finally unpacked from our last relocation in July and settled into our new space in Academy Hall on Stanford’s Redwood City campus. It is a great relief to see our cataloging, processing and digital units once again hard at work and various collections spread out in our workroom. As always, they, and all of those behind the scenes in Redwood City and our colleagues on campus, did a phenomenal job!
The Bowes Art & Architecture Library and the Department of Special Collections, Stanford Libraries, are pleased to announce the acquisition of the archive of visual artist Clinton Hill (1922–2003).
... we found ourselves revisiting The Annunciate Virgin. Kathy's love of the piece was contagious, and we began to entertain the thought that maybe, just maybe, we would actually buy a wooden panel painting. -- T. Robert Burke