October 1, 2015, marks the 125th anniversary of the establishment of Yosemite National Park. To commemorate our nation’s third National Park, the University Archives has mounted an exhibition of photographs of Yosemite Valley taken by Eadweard Muybridge in 1872. On display are ten albumen photographs printed from replicated negatives made from photographs by Muybridge in 1872. This set of images comes from a limited edition printed by the Chicago Albumen Works, Inc. and published by Yosemite Natural History Association in 1977. Only 50 sets were produced.
Blog topic: Art
The current "Higlights from the Marmor Collection" exhibition, "Josef Albers: Interaction of Color," closes June 15 at the Cantor Arts Center. The exhibition displays prints by Albers from the "Homage to the square" series in the Marmor Collection alongside a selection of plates and the Text and Commentary books from the Art & Architecture's copy of Alber's Interaction of Color (New Haven: Yale University Press, 1963).
The Stanford Media Preservation Lab and the Department of Special Collections are delighted that Shu-Wen Lin is spending the summer with us in Redwood City interning as a media archivist. Leveraging her interest and background in the arts, Shu-Wen will help to process and preserve several media-based collections, including the archives of visual artist Carolee Schneeman and the archives of Telling Pictures, a prominent Bay Area film production company. Shu-Wen's first day is June 1.
Have you ever wondered why Stanford is represented by the color cardinal, and not the original choice of gold? Or why the university's motto is in German?
The University Archives, in collaboration with Kathleen Smith, Curator of Germanic Collections and Medieval Studies, is pleased to announce a new exhibition focused on the development of Stanford's insignia. Becoming Stanford: The History and Meaning of the University’s Insignia is now on display in the South Lobby of Green Library.
As previously announced, the Ruth Asawa papers are now available. In thinking of fun and innovative ways to present certain aspects of her work, we decided to scan a small series of San Francisco architecture snapshots from her collection and upload them to the social mapping website Historypin, and also include them in their Year of the Bay local history project. These photographs were probably used as research in creating the San Francisco Fountain in Union Square, which features many cast dough relief images of the city. Unfortunately there is no information on or about the prints in the collection. They are likely all from the 1960s, and were probably taken by Asawa (she has referred to taking pictures of the city in preparation). Architectural historian Sally Woodbridge may have also contributed. The varying qualities of the prints implies that several cameras or developers were used, and that they were probably taken over a period of time. At any rate, they collectively serve as a remarkable portrait of the city in that decade.
After more than a year of intensive organizing and arranging, we are very proud to announce that the papers of artist and educator Ruth Asawa (M1585) are now available for research. The finding aid can be accessed from the Online Archive of Calfornia, and the collection record in the Searchworks catalog.
Alert 747: Suspected Nuclear Test - A journey to uncover facts and create dialog through humanistic creative production. This February, Stanford University Libraries (SUL) highlights a special collection, Vela 6911 by Victor Gama, with an exhibit on display in the Green Library South Lobby from February 3- March 9, 2015. Vela 6911 is a multimedia musical piece created by Victor Gama, an Angolan composer and designer of contemporary musical instruments for new music. This exhibit offers a glimpse into this vast collection of research, images, video content and musical scores that reside in the SUL Archive of Recorded Sound. It also supports and coincides with the March 6th live performance of VELA 6911 by Gama, the Stanford University New Ensemble and special guests from Stanford’s Center for Computer Research in Music and Acoustics (CCRMA). Information about the concert is at the Stanford Events Page.
Eight new digital collections are now available in SearchWorks. These collections take advantage of SearchWorks' ability to provide users with rich discovery and access capabilities for finding and working with digital collection content.
Abstract: Primarily fragments, these specimens were acquired to demonstrate the development of writing in the western world. A variety of scripts are represented, from Carolingian minuscule to the humanistic hands and the "cancelleresca."
Collection contact: Benjamin Albritton