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TYPE OF RESOURCE
Cartographic
FORMAT
Map/Globe
unmediated, sheet
1 map : color ; 345 x 504 cm
IMPRINT
Japan, 1837
ISSUANCE
monographic
PUBLISHER
Place of publication not given : : Publisher not given,, 1837
LANGUAGE
Japanese
MAP DATA
Scale 1:21,600.
This work is licensed under a Creative Commons Attribution-Noncommercial 3.0 Unported License

By Deardra Fuzzell and Wayne Vanderkuil
A historic manuscript map and a gem of the Stanford Library Map Collection, the Ōmi Kuni-ezu 近江國絵圖 Japanese Tax Map from 1837 is hand drawn and painted in the round. This map is designed to be displayed on the floor with the viewer standing in its center. From this central vantage point, the map may be read with ease from any direction. As this display and viewing method is no longer possible for a map fast approaching its 200th birthday, Stanford has recently digitized this item to enable access for research, teaching and learning as well as preservation of the original object.

This the largest and most difficult oversized map Stanford has digitized thus far.
See how the Map Program went about imaging this unique item.

Work on the Player Piano Project (PPP) continues at an impressive pace. Recent achievements include the completed cataloging, by Project cataloger Alyssa Hislop, of the Welte Mignon rolls in the Denis Condon Collection of Reproducing Pianos and Rolls, which can now be viewed in Searchworks; a full house at the project’s listening party last Friday; and most recently the launch of a subproject entitled the Piano Roll Scanner Project (PRSP). The PRSP formally marks the start of the digitization phase of the PPP. 

Don Knuth

The University Archives is pleased to announce that videotaped lectures from Don Knuth's computer science course Mathematical Writing (CS209), given in the fall of 1987, are now available online. The course focused on issues of technical writing and the effective presentation of mathematics and computer science. Guest lectures included Herb Wilf (University of Pennsylvania), Jeff Ullman (Stanford), Leslie Lamport (Digital Equipment Corporation) , Nils Nilsson (Stanford), Mary-Claire van Leunen (Digital Equipment Corporation) , Rosalie Stemer (San Francisco Chronicle), and Paul Halmos (University of Santa Clara). The class notes are available as a Stanford report, Mathematical Writing, and a published book.

A close of open reel tape machine heads

There are countless challenges in preserving obsolete media from breadth of formats to lack of documentation at the time of creation.  With the history of recorded sound now spanning over one hundred years wide range of technologies utilized in this span, challenges abound for any individual working to capture the range of media in need of preservation.  To accomplish this feat constant engagement is required to further understand the media, the way media is degrading, and best practices for preserving historic recordings that range from cylinders to digital multi-track recording sessions. 

Ginsberg's handwritten notes for M0733_s11_ssB_b119_07

The Allen Ginsberg papers in the Department of Special Collections is truly the collection that keeps on giving. We here at the media lab have digitized a huge portion of the media (current count: 2000+ items), yet our interest in it remains high because of the sheer amount of gems hidden within. Even if we didn't enjoy Ginsberg, the vast amount of acquaintances he recorded from the 1950s until the 1990s would provide endless entertainment. 

Theremin demonstrating his instrument, Stanford University, 1991

Earlier this year, I reported on recent work the Archive of Recorded Sound (ARS) had undertaken to preserve video footage of Leon Theremin's visit to Stanford in 1991. In addition to participating in a symposium during his visit, hosted by the Center for Computer Research in Music and Acoustics (CCRMA), Theremin was also the guest of honor at a concert held in Frost Amphitheater on September 27, 1991 during the Stanford Centennial Finale Weekend. The video footage preserved by the ARS earlier in the year unfortunately only included part of this notable concert. It was found to be missing some key performances, including an arrangement of Rachmaninov's Vocalise, featuring Theremin's daughter Natasha Theremin playing the vocal parts on her father's instrument, accompanied by Max Mathews conducting the orchestral parts with his radio batons. This footage was presumed lost...until now. 

The Queen of the Night, detail from Mozart's Zauberflöte

Opern-Tÿpen. Berlin : G. Kölle, [ca. 1882]

Opern-Tÿpen consists of six volumes of chromolithographic plates depicting scenes from 54 operas popular in 19th century Germany. Each opera plot has been distilled into a mere six frames, with liberally adapted accompanying text. The visual charms of Opern-Typen are evident. The plates reveal a sophisticated understanding of the effective use of line, gesture, and composition to convey drama and comedy in a tight narrative sequence. Future research may determine if these drawings captured or were informed by real-life performances, as is suggested by the inclusion of staging and scenic elements.

WILPF Logo
One hundred years ago today on April 28, 1915, the Women's International League for Peace and Freedom (WILPF) was formed when 1200 women from neutral and warring nations met in the Hague, Netherlands with the aim of negotiating the end of World War I, and to urge peaceful resolution and ‘continuous mediation’ to avoid future conflicts.
 
In conjunction with this centenary anniversary, the Archive of Recorded Sound (ARS) is very pleased to announce the release of 256 recordings of oral history interviews conducted with over 90 veteran members of WILPF from local California and other states’ branches in the USA. These recordings, part of the Women's International League for Peace and Freedom Collection, are now freely accessible to the world via Searchworks. Also featured are recordings from the 1967 WILPF National Conference at Asilomar, in Pacific Grove, CA. 

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