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Helen & Newton Harrison, 1988

Stanford University Library’s Department of Special Collections has completed processing for two major collections: the Helen and Newton Harrison Papers and the William Hewlett Papers. The two projects were supported with funding from the National Endowment for the Humanities and the William and Flora Hewlett Foundation, respectively.

Archangel Michael Hurls the Rebellious Angels into the Abyss, by Luca Giordano (ca. 1666)

“There was war in heaven: and Satan was cast out into the earth, and his angels were cast out with him. Rejoice, ye heavens, and ye that dwell in them: woe to the inhabiters of the earth.” – Revelation 12:7-12

So opens The Fallen Angel, an oratorio by Sir Henry Rowley Bishop. The manuscript score, in Bishop’s hand, has recently been reunited with a full set of manuscript orchestral and choral parts, as item MLM 87 in Stanford’s Memorial Library of Music.

El Pajarillo Errante

Next week, from Feburary 1-February 5, archives are joining the adult coloring craze with #ColorOurCollections, providing coloring pages made from materials held within their special collections. We're joining in while simultaneously celebrating some newly released digitized material from the José Guadalupe Posada collection, circa 1875-1913. 

Image of a drawing by Marjorie "Marge" Henderson Buell.

Newly available for research is the Marjorie Henderson and Ruth Plumly Thompson archive.

TYPE OF RESOURCE
Cartographic
FORMAT
Map/Globe
unmediated, sheet
1 map : color ; 345 x 504 cm
IMPRINT
Japan, 1837
ISSUANCE
monographic
PUBLISHER
Place of publication not given : : Publisher not given,, 1837
LANGUAGE
Japanese
MAP DATA
Scale 1:21,600.
This work is licensed under a Creative Commons Attribution-Noncommercial 3.0 Unported License

By Deardra Fuzzell and Wayne Vanderkuil
A historic manuscript map and a gem of the Stanford Library Map Collection, the Ōmi Kuni-ezu 近江國絵圖 Japanese Tax Map from 1837 is hand drawn and painted in the round. This map is designed to be displayed on the floor with the viewer standing in its center. From this central vantage point, the map may be read with ease from any direction. As this display and viewing method is no longer possible for a map fast approaching its 200th birthday, Stanford has recently digitized this item to enable access for research, teaching and learning as well as preservation of the original object.

This the largest and most difficult oversized map Stanford has digitized thus far.
See how the Map Program went about imaging this unique item.

ePADD Phase 2, an IMLS-funded grant project, begins on November 2nd and will run through fall of 2018. In early November we launch the grant with two meetings – one with our Partnering Institutions and another with our Advisory Board.  

Testing ePADD is the first step for the SUL team and our partners over the next few months as we kick-off the project. This will help the five institutions to develop and prioritize development over the course of the project.

Chopin's signature, from MLM 217 (detail)

View or download:

Piosnka litewska (Lithuanian song), op. 74, no. 16 [1830?]

Drei Ecossaises, op. 72, no. 3 (sketches) [1830?]

A song and piano sketches by Chopin share two sides of a single leaf, once belonging to Polish ethnologist and composer Oskar Kolberg (1814- 1890), and now residing in Stanford's Memorial Library of Music.  The Kolberg and Chopin families were neighbors, and Oskar followed Chopin at the Warsaw Lyceum, studying piano with one of Chopin’s teachers. Kolberg was a lifelong collector of music manuscripts, specifically Polish folk and national music, which he used in his scholarly endeavors.

Joseph Goldyne exhibit poster, Stanford University Libraries
A new exhibition on the second floor of the Green Library Bing Wing features the work of artist Joseph Goldyne, whose unique small-format prints using intaglio printmaking processes are credited with reviving the art of the varied edition monoprint beginning in the late 1970s. After earning a medical degree at UCSF (1968), Goldyne turned his full attention to art and never looked back. His work is informed by his study and documentation of human anatomy as well as his near-encyclopedic knowledge of art history, credentialed by a graduate degree in fine arts from Harvard.
 

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